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digital poly for ambient?
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Author digital poly for ambient?
Babaluma
Manual Gain Rider


Joined: 24 Jan 2008
Last Visit: 18 May 2013

Posts: 6757
Location: Milan

PostPosted: Thu Feb 16, 2012 10:49 am    Post subject: Reply with quote Add User to Ignore List

amsonx wrote:
Babaluma wrote:
i third the korg wavestation! actually, am about to buy the legacy edition...

+1 on this Gregg, i've the real thing and is amazing , great sound, a lot of good preset and a good interface.


yeah, i've owned two wavestation ex keyboards, bought the first one shortly after it came out, brand new, in 1992, and it was my first synth. i learnt synthesis on it. bought the second one in japan for about 12,000 yen, and loved that too, but didn't bring it with me to italy. once i get a midi controller keyboard sorted i'll get the legacy edition. looking forward to hearing it in audiomulch with valhalla room and ubermod, and then ran through the crookwood converters and into the outboard gear!

[EDIT] Most tracks on this track are just modified wavestation presets:

http://soundcloud.com/babaluma/the-nature-of-magick-telepathy-mix

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Last edited by Babaluma on Thu Feb 16, 2012 11:02 am; edited 1 time in total
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essex sound lab
wiggler of the spheres


Joined: 21 May 2009
Last Visit: 16 May 2013

Posts: 2568
Location: Lenox, Mass

PostPosted: Thu Feb 16, 2012 10:57 am    Post subject: Reply with quote Add User to Ignore List

In addition to the Walforf stuff mentioned, I'll second (or third) the shout outs for both the Access Virus and the V-Synth XT.
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sydilaxe
Wiggling with Experience


Joined: 14 Aug 2008
Last Visit: 16 May 2013

Posts: 410
Location: Toronto, ON

PostPosted: Thu Feb 16, 2012 11:12 am    Post subject: Reply with quote Add User to Ignore List

The AN portion of the EX5 is also only duophonic. So, you can't really expect to get any pads out of that anyway...

I must say that the V-synth rocks my world. It is currently my favorite digital synth by a long run.
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obscurerobot
Turing Tested


Joined: 18 Jun 2011
Last Visit: 19 May 2013

Posts: 468
Location: Cascadia Autonomous Region

PostPosted: Thu Feb 16, 2012 11:46 am    Post subject: Reply with quote Add User to Ignore List

chinard wrote:
That being said, even though the CS6x is a rompler I have been able to squeeze some wonderfully dark creepy ambient noises out of it.. Fun synth.

Oh and another +1 on korg legacy collection. It is spectacular!
I have been using it heavily since it came out.. one of the ONLY soft synths i actually use.


The CS6x is a rompler, but it also has a sampler built in and is a host for the PLG boards. For those not familiar, the PLG boards are full synth engines. The PLG150DX is a full six-op FM engine. The PLG150VL is a monophonic physical modeling board, and the PLG150AN is the analog modeling board. The boards themselves seem to command high prices on EBay, but sometimes you can find a CS6x or CS6r full of PLG boards cheap on Craigslist. Some of the later MU series modules can also host PLG boards.
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aumgn
Common Wiggler


Joined: 10 Jun 2009
Last Visit: 29 Jul 2012

Posts: 161

PostPosted: Thu Feb 16, 2012 2:19 pm    Post subject: Reply with quote Add User to Ignore List

jonkull wrote:
Roland V-Synth XT


i forgot that one , if i was really forced to keep one synth its probably the vsynth.

The wavestation i got deep into some years back with sound diver editing all the wavesequences into some weird and wonderfull stuff.

I really did my head in one day when i realised i could swap wavesequences and patches in soundiver with other wavestation banks patches and sequences and get like these semi randomised patches where a multi would be reading the wrong patches themselves reading the wrong wavesequences = really cool abstract sounds...

Everyone needs a wavestation .
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aumgn
Common Wiggler


Joined: 10 Jun 2009
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Posts: 161

PostPosted: Thu Feb 16, 2012 2:30 pm    Post subject: Reply with quote Add User to Ignore List

[quote="lilakmonoke"]great and concise info, thanks!

Love that cz 3000 video

Doing ambient music is like a perminant vacation for any musician, when all else fails just get some stuff cycling and float away.

I'm lusting after a Casio vz myself.

Never knew the supernova etc had looping envelopes , great synths.The ks series is also really nice , 2 x super weird lfo's.
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Roycie Roller
Death Row Wiggler


Joined: 05 Jul 2008
Last Visit: 25 Apr 2013

Posts: 1544
Location: Sou-westerly

PostPosted: Thu Feb 16, 2012 7:48 pm    Post subject: Reply with quote Add User to Ignore List

i recently bought an Ensoniq SQ-80, and it's insane woah

it sounds like a horror film soundtrack!

4x multi-stage envelopes, 3x Lfo's,, 3x 8-bit waveform VCO's, 4 VCA's, CEM filter, plus extensive editing of mixing, panning & other global parameters (AM of 2 VCO's, sync of 2 VCO's, reset of eg's, lfo's & vco's, etc, etc) .

it's like a modular in layout, in fact, and does ambient/evolving soundscapes with ease

& sounds beautiful! love

plus i think you can drop in your own eproms (i have the hylander PPG's which i'd like to try, just have to double-check schematics).

And i haven't got to the sequencer yet


Have a look at Casio's HT series, & Keytek
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worstofthewurst
Common Wiggler


Joined: 24 Sep 2011
Last Visit: 07 Mar 2013

Posts: 225
Location: Portland, OR

PostPosted: Thu Feb 16, 2012 10:00 pm    Post subject: Reply with quote Add User to Ignore List

Roycie Roller wrote:
i recently bought an Ensoniq SQ-80, and it's insane woah

it sounds like a horror film soundtrack!

4x multi-stage envelopes, 3x Lfo's,, 3x 8-bit waveform VCO's, 4 VCA's, CEM filter, plus extensive editing of mixing, panning & other global parameters (AM of 2 VCO's, sync of 2 VCO's, reset of eg's, lfo's & vco's, etc, etc) .

it's like a modular in layout, in fact, and does ambient/evolving soundscapes with ease

& sounds beautiful! love

plus i think you can drop in your own eproms (i have the hylander PPG's which i'd like to try, just have to double-check schematics).

And i haven't got to the sequencer yet


Have a look at Casio's HT series, & Keytek


That sounds AMAZING. I have a Fizmo, and I had no idea the SQ80 was so extensive. WANT WANT WANT.
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clusterchord
Common Wiggler


Joined: 07 Sep 2010
Last Visit: 16 May 2013

Posts: 182
Location: Zagreb, Croatia

PostPosted: Fri Feb 17, 2012 10:35 am    Post subject: Reply with quote Add User to Ignore List

if i were going for minimal setup to make an ambient record, id go with these:

Roland JD990 BladeOfGlass
Microwave XT Amenthes/NimbusDei , waldorfxt+spaceecho
Korg Z1
Eventide - Orville, 7000, Eclipse or something.
Akai MPC3000 or S1100 sampler



FS1R is also really nice, if youre satisfied with tweaking presets, ive made some phenomenal sounds half tweaking , half by accident.. importing things from TX802. Nord Modular G1, Roland D550 and Korg Wavestation are all classic too in their own right. actually the choice for digital poly is rather wide..

as far as analog polys, while were on the subject, the only ones i found that can sometimes fit into the colder/vast soundscapes of ambient are Xpander and Andromeda. everything else just sticks out way too much.


A6-ThickPad- 2nd filter self-oscillation
A6-BerlinPad +Orville reverb

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Hanz
Analogue Avenger


Joined: 02 Oct 2010
Last Visit: 19 May 2013

Posts: 605
Location: my tiny universe

PostPosted: Fri Feb 17, 2012 11:03 am    Post subject: Reply with quote Add User to Ignore List

Mmm, agree, if only one: V-Synth XT. So much power in there for making ambient sounds, and you get the classic D50 and the extensive vocoder / choir cards thrown in. 3 in 1, really, as long as you can do multitracking - they're not available simultaneously!

V-Synth GT is also a good candidate, but misses out on D50 emulation. It's extremely good for natural sounding 'ethnic' instruments, thanks to the unique AP Synthesis functionality, basically some sort of playing aid. It somewhat starts to go into Yamaha VL1 territory, soundwise.

Otherwise, my favs are K5000s, JD990, FS1r and MicroWave 1 (not 2/XT though).

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Last edited by Hanz on Fri Feb 17, 2012 11:12 am; edited 4 times in total
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chinard
Super Deluxe Wiggler


Joined: 12 Aug 2008
Last Visit: 18 May 2013

Posts: 2183
Location: Toronto

PostPosted: Fri Feb 17, 2012 11:07 am    Post subject: Reply with quote Add User to Ignore List

wow. i totally forgot about the FS1r.
good call
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jonah
searching for "switch nipples"


Joined: 25 Oct 2010
Last Visit: 19 May 2013

Posts: 1280

PostPosted: Fri Feb 17, 2012 5:21 pm    Post subject: Reply with quote Add User to Ignore List

lilakmonoke wrote:
korg radias is really a close candidate. could i do with a microkorg xl or a r3? i dont mind editing on the screen.
I think it's 8 vs 24 voices, 2 vs 4 timbres per program and the r3 doesn't have assignable outs.

The 4 timbres are absolutely useful for making evolving sounds and having the extra timbres available to process external audio is very helpful too.

I use it more than the wavestation, but I like the knobs and blinkenlights. smile The lights are actually relatively useful for ambient because a big part of making good tracks is sitting back and letting them do their thing.
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obscurerobot
Turing Tested


Joined: 18 Jun 2011
Last Visit: 19 May 2013

Posts: 468
Location: Cascadia Autonomous Region

PostPosted: Fri Feb 17, 2012 5:41 pm    Post subject: Reply with quote Add User to Ignore List

jonah wrote:
lilakmonoke wrote:
korg radias is really a close candidate. could i do with a microkorg xl or a r3? i dont mind editing on the screen.
I think it's 8 vs 24 voices, 2 vs 4 timbres per program and the r3 doesn't have assignable outs.

The 4 timbres are absolutely useful for making evolving sounds and having the extra timbres available to process external audio is very helpful too.

I use it more than the wavestation, but I like the knobs and blinkenlights. smile The lights are actually relatively useful for ambient because a big part of making good tracks is sitting back and letting them do their thing.


Another thing to think about is how you want to interact with your ambient patches. I assume that the wavestation way of working is that you set up a wave program, hit a key, and just let it evolve. Other than the joystick, you don't get much in the way of real-time control.

With an analog polysynth like the Virus, Supernova, VSynth or MS2000/Radias, you can setup a simple patch and tweak lots of knobs live over the course of a single long note (or chord).

If you are fine with designing all the details into your patch, then something like a R3 or one of the MicroKorgs will be fine. The cost difference to get a Radias is pretty low, and often you can get a used MS2000r for the same price as an R3, so I would tend to go for more knobs.
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tIB
Stainer!


Joined: 08 Jun 2009
Last Visit: 19 May 2013

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PostPosted: Fri Feb 17, 2012 5:47 pm    Post subject: Reply with quote Add User to Ignore List

Ive had an R3 and a radias, the radias is miles better and I scored it for pretty much the same price.
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Ranxerox
Dirk Diggler Wiggler


Joined: 04 Mar 2009
Last Visit: 19 May 2013

Posts: 1181
Location: Nonplace Urban Field

PostPosted: Fri Feb 17, 2012 6:34 pm    Post subject: Reply with quote Add User to Ignore List

I got an E-Mu Morpheus recently. It's got crazy filters and grainy ROM-sample loops, and it's great for swirly, grungy Wolfgang Voigt-sounding stuff. Drum sounds on it are pretty rad too. I also have a Microwave II, an FS1R and a K5000S - all potentially great for ambient.

In the case of the FS1R and the Kawai, if your imagination doesn't extend very far beyond the standard 2-oscillator subtractive patch then you probably won't get much out of them. These are proper digital synths in that they are not designed for emulation - they're not simple ROMplers or VAs.

Here are a couple of good sites for info about digital synths:

http://www.deepsonic.ch/deep/htm/hard_idx.php
http://homepage.mac.com/synth_seal/html/

My issue with the K5000 is it has so many redundant parameters - each harmonic has about a dozen, and there are 128 harmonics per voice, then the 128-band 'formant filter'. The Soundiver editor doesn't help much, so I created an environment patch that lets me draw curves with a mouse across the full width of the screen - to set the parameter values for each harmonic. Yes I'm a geek.

Respect to the Ensoniq effects as well, I posit that the DP/4 would make a pretty good reverb machine for ambient. The Lexicon PCM81 is also an excellent choice and can be had for not that much money these days too.

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clusterchord
Common Wiggler


Joined: 07 Sep 2010
Last Visit: 16 May 2013

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Location: Zagreb, Croatia

PostPosted: Fri Feb 17, 2012 6:40 pm    Post subject: Reply with quote Add User to Ignore List

obscurerobot wrote:
With an analog polysynth like the Virus, Supernova, VSynth or MS2000/Radias...


Blasphemy !!! Mr. Green

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worstofthewurst
Common Wiggler


Joined: 24 Sep 2011
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Location: Portland, OR

PostPosted: Fri Feb 17, 2012 7:27 pm    Post subject: Reply with quote Add User to Ignore List

Ranxerox wrote:
The Soundiver editor doesn't help much, so I created an environment patch that lets me draw curves with a mouse across the full width of the screen - to set the parameter values for each harmonic. Yes I'm a geek.


I would LOVE to see this.
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obscurerobot
Turing Tested


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PostPosted: Fri Feb 17, 2012 7:47 pm    Post subject: Reply with quote Add User to Ignore List

clusterchord wrote:
obscurerobot wrote:
With an analog polysynth like the Virus, Supernova, VSynth or MS2000/Radias...


Blasphemy !!! Mr. Green


Er... VIRTUAL analog smile
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Hanz
Analogue Avenger


Joined: 02 Oct 2010
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PostPosted: Sat Feb 18, 2012 4:45 am    Post subject: Reply with quote Add User to Ignore List

Well, VSynth is only at its most basic a VA. Potentially, much more like a granular / sampling box of tricks.
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Ranxerox
Dirk Diggler Wiggler


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PostPosted: Sat Feb 18, 2012 9:50 am    Post subject: Reply with quote Add User to Ignore List

worstofthewurst wrote:
Ranxerox wrote:
The Soundiver editor doesn't help much, so I created an environment patch that lets me draw curves with a mouse across the full width of the screen - to set the parameter values for each harmonic. Yes I'm a geek.


I would LOVE to see this.


I use the X-Y controls to 'draw' the sysex slider positions, then I can fine-tune each slider individually if needed.


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