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What sounds more Moog between Dotcom and Club Of The Knobs?
 
 
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Author What sounds more Moog between Dotcom and Club Of The Knobs?
darkriver
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PostPosted: Sat Feb 18, 2012 9:58 pm    Post subject: What sounds more Moog between Dotcom and Club Of The Knobs? Reply with quote Add User to Ignore List

I know both make similar Moog style modular synthesizers.

But which sounds more like Moog between Synthesizers.com and Club Of The Knobs?

I'm interested in the Moog sound, look and feel.

Thanks for your help.
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essex sound lab
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PostPosted: Sat Feb 18, 2012 10:03 pm    Post subject: Reply with quote Add User to Ignore List

MOS-LAB. Closest thing I know of.

But really, it's a matter of degree. Careful selection can get you to that destination in a variety of ways.
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darkriver
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PostPosted: Sat Feb 18, 2012 11:04 pm    Post subject: Reply with quote Add User to Ignore List

Thanks for your comment and no disrespect, and I probably should have been more clear about this I guess, but I was only asking about Synthesizers.com and Club Of The Knobs. I know about Mos-Lab and without getting too specific lets just say I'm not interested in Mos-Lab at this point. So I was wondering between Synthesizers.com and Club Of The Knobs. Thanks everyone.
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JohnLRice
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PostPosted: Sat Feb 18, 2012 11:27 pm    Post subject: Reply with quote Add User to Ignore List

Between the two, COTK has a more "Moog" look, actually an exact Moog look where Synthesizers.com looks are more or less inspired by the originals but not exact panel clones (except for the 960 sequencer modules which are pretty spot on I guess)

Sound wise . . . . I've heard impressive stuff from both systems so I think it's more up to the musician then the gear to get the sound you want. I don't own any VCO's, VCF's EGs, VCAs or Mixers by either company so I can compare other than the YouTube etc demos I've heard.

If you really want the moogiest Moog between the two and cost and obtainability aren't concerns I'd definitely go with COTK.

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suitandtieguy
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PostPosted: Sun Feb 19, 2012 3:02 am    Post subject: Reply with quote Add User to Ignore List

this is the only authentic RA Moog CP3 mixer circuit clone on the market. if by "Moog sound" you mean the moogsploitation records of the 60s, early ELP, and 70s Tangerine Dream you're going to need this module. i know i sound like i'm making a big deal out of "a simple mixer" but it's actually quite an important part of the sound:

http://stgsoundlabs.com/products/mixer_mu.htm

also as far as "look and feel" goes, i'm also the only guy using authentic artwork style and panel printing/fabrication even though i don't actually make any Moog-derived modules beyond the Mixer.

all of the moog format builders make nice stuff. you're probably not going to go wrong. i think you should start with Synthesizers.com because it's an amazing value for the quality and Roger and Margo are great to deal with.

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MindMachine
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PostPosted: Sun Feb 19, 2012 5:58 am    Post subject: Reply with quote Add User to Ignore List

Then again you have to consider if COTK is even available to you if you are actually considering a purchase. JLR has been waiting for an invoice/email for 2 years on one module even though he is one of their best customers and strongest proponents.

Dotcom ships almost instantly. I am unsure of MosLab shipping, but I do want a VCF from them and then some VCO's, etc.
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tonnu
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PostPosted: Sun Feb 19, 2012 6:45 am    Post subject: Reply with quote Add User to Ignore List

just very short question as this thread is regarding moogish stuff which MOS Lab is definitely one of them (hopefully, not derailing the thread)

the output of MOS Lab is 5vpp (as opposed to DotCom 10vpp)
the envelope is sustained at 5.5v (as opposed to DotCom 5v)

does this affect the overdrive characteristics when using MOS Lab with DotCom standard stuff?

for example:

- if i use it with stg mixer, will it still be unity at 2 o'clock and clip at pass 3 o'clock? or will it mean i have to amplify the signal first (with what?)

- is the 5.5v env standard of MOS Lab stuff intentional to overdrive VCA's? or is this irrelevant if i use DotCom standard envelopes and VCA's?

and lastly, if i were to use MOS Lab stuff with DotCom, is using only the "critical" parts which is VCO and VCF together DotCom stuff (i'll definitely get the STG Mixer), but also VCA's and ENV be enough to get me **THAT** sound (i.e. the sound in MOS Lab's 8A and 16A systems)?

many thanks, again, sorry if this may derail the thread. I could start a new one ...

thanks
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dslocum
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PostPosted: Sun Feb 19, 2012 7:29 am    Post subject: Reply with quote Add User to Ignore List

+1 on suitandtieguy's assesment on the mixer.

There's lots of subtle IM distortion and waveform mucking that goes on before it even gets to the filter.

Another question, is -which- Moog filter sound are you after? The modular had it's own sound, as did the Mini. Both cool. Both different.

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Synthetic Sound Labs
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"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."

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e-grad
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PostPosted: Sun Feb 19, 2012 7:38 am    Post subject: Reply with quote Add User to Ignore List

suitandtieguy wrote:
i think you should start with Synthesizers.com because it's an amazing value for the quality and Roger and Margo are great to deal with.


True!

If you want to lay your hands upon your "moogish" modular any time soon you've to go the .com route I guess.

COTK most likely won't have a complete system on sale though it might well worth the try to ask for one specific module. However, I've no idea on MOS LAB's lead times .

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emc2
is banned
is banned


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PostPosted: Sun Feb 19, 2012 9:27 am    Post subject: Reply with quote Add User to Ignore List

e-grad wrote:
I've no idea on MOS LAB's lead times .


About 6 months
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Christopher Winkels
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PostPosted: Sun Feb 19, 2012 10:06 am    Post subject: Reply with quote Add User to Ignore List

suitandtieguy wrote:
this is the only authentic RA Moog CP3 mixer circuit clone on the market. if by "Moog sound" you mean the moogsploitation records of the 60s, early ELP, and 70s Tangerine Dream you're going to need this module. i know i sound like i'm making a big deal out of "a simple mixer" but it's actually quite an important part of the sound:

http://stgsoundlabs.com/products/mixer_mu.htm

also as far as "look and feel" goes, i'm also the only guy using authentic artwork style and panel printing/fabrication even though i don't actually make any Moog-derived modules beyond the Mixer.

all of the moog format builders make nice stuff. you're probably not going to go wrong. i think you should start with Synthesizers.com because it's an amazing value for the quality and Roger and Margo are great to deal with.


There is absolutely not one word of this I would disagree with. His mixer is an absolute joy and the way it distorts at higher settings is brilliant. SlayerBadger!

I would also add that Suit has pointed out in the past another elephant in the room, namely that early R.A. Moog instruments from the 1968 Trumansburg factory are going to have sonic differences from the late-'70s Cheektowaga era.

I'd imagine too that no small part of the sound on those '60s and '70s recordings can also be attributed to tape; both reel-to-reel recording and tape-based echo units.
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Ockeghem
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PostPosted: Sun Feb 19, 2012 10:26 am    Post subject: Reply with quote Add User to Ignore List

Christopher Winkels wrote:
suitandtieguy wrote:
this is the only authentic RA Moog CP3 mixer circuit clone on the market. if by "Moog sound" you mean the moogsploitation records of the 60s, early ELP, and 70s Tangerine Dream you're going to need this module. i know i sound like i'm making a big deal out of "a simple mixer" but it's actually quite an important part of the sound:

http://stgsoundlabs.com/products/mixer_mu.htm

also as far as "look and feel" goes, i'm also the only guy using authentic artwork style and panel printing/fabrication even though i don't actually make any Moog-derived modules beyond the Mixer.

all of the moog format builders make nice stuff. you're probably not going to go wrong. i think you should start with Synthesizers.com because it's an
amazing value for the quality and Roger and Margo are great to deal with.


There is absolutely not one word of this I would disagree with. His mixer is an absolute joy and the way it distorts at higher settings is brilliant. SlayerBadger!
I'd imagine too that no small part of the sound on those '60s and '70s recordings can also be attributed to tape; both reel-to-reel recording and tape-based echo units.


All right, i'll have one of those mixers then. Such an easy mark I am for 5u sales pitches. meh
I have enough filters for now or i'd be adding those to the cart.
Roger is great to deal with and so is Doug. Looking forward to trying on The SUIT.
Or, his modules, I meant to say. I'm sure he's not in the clothing business (yet).

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synthnut wrote:

This is certainly a renaissance with bells and whistles on in the modular world. More MU is good for you, that's my motto...
TTFN,
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suitandtieguy
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PostPosted: Sun Feb 19, 2012 10:54 am    Post subject: Reply with quote Add User to Ignore List

Ockeghem wrote:
I'm sure he's not in the clothing business (yet).


ever.

i have a very focused business model. my personal attire is very separate from what i sell on my webzone.

and if you were the person who just ordered a Mixer module in the last hour, thank you very much.

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whitewulfe
Chaos beckons, I heed the call


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PostPosted: Sun Feb 19, 2012 11:13 am    Post subject: Reply with quote Add User to Ignore List

Christopher Winkels wrote:
There is absolutely not one word of this I would disagree with. His mixer is an absolute joy and the way it distorts at higher settings is brilliant. SlayerBadger!


Did somebody say distortion? Y'know, some days Chris I think you and JLR could sell me the moon for how readily you two seem to get me hooked on various modules - your comment got me to actually read the description (and go past the usual attitude of "eh, it's just a mixer"), then listen to the demos... Interesting stuff to say the least.
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JohnLRice
Howl at the Moon


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PostPosted: Sun Feb 19, 2012 12:27 pm    Post subject: Reply with quote Add User to Ignore List

suitandtieguy wrote:
also as far as "look and feel" goes, i'm also the only guy using authentic artwork style and panel printing/fabrication even though i don't actually make any Moog-derived modules beyond the Mixer.
Not trying to be argumentative, just curious. how do your panels differ from Moon, COTK and Mos-Lab?
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Christopher Winkels
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PostPosted: Sun Feb 19, 2012 12:33 pm    Post subject: Reply with quote Add User to Ignore List

I can't speak for JLR, but he does a great job promulgating love for Moon and some other vendors I don't have a lot of experience with.

In my own case having pretty much one of everything (except the Mankato) means I think I'm in a position of being able to give a survey assessment of STG's products. When you get to that point you begin to see some common themes emerging when it comes to design philosophy:

A little distortion isn't a bad thing.
Knob sizes should be scaled to the need for finer control resolution.
Neat things happen at greater that unity gain.
Layout shouldn't be tied to a fixed grid.

If attributes like those appeal to you then you'll love STG. This is the good thing about design by an individual rather than by a large engineering and marketing committee. I'd imagine that Bruce, Roger, Tony, Don, Phil and all the other strong personalities who swim the modular currents are no less idiosyncratic and individual. It's a matter of finding those design ethoi that appeal most and supporting those companies with your money.

In that sense I suspect we're probably closer now than ever to the early '70s model of instrument design in the modular market. You can see the stamp of a specific person on our instruments. If I lay my hands on a Kronos or Jupiter-80 or Motif then I can appreciate a great deal of quality and integration, but these are not tools born of the inspiration and dedication or one or two men championing a design philosophy. They're too diluted and diffuse for that.
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Ockeghem
missa propecia


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PostPosted: Sun Feb 19, 2012 2:03 pm    Post subject: Reply with quote Add User to Ignore List

suitandtieguy wrote:
Ockeghem wrote:
I'm sure he's not in the clothing business (yet).


ever.

i have a very focused business model. my personal attire is very separate from what i sell on my webzone.

and if you were the person who just ordered a Mixer module in the last hour, thank you very much.


Well if he was from Northern Virginia, good chance it was me.
If I haven't ordered anything before now it's because I was busy funding Doug Slocum's trips to the diner and Roger's antique car mods.
All this indirectly of course. applause

_________________
My mouth laughs, but my heart weeps...
_______________________________
synthnut wrote:

This is certainly a renaissance with bells and whistles on in the modular world. More MU is good for you, that's my motto...
TTFN,
Ben
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suitandtieguy
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PostPosted: Sun Feb 19, 2012 6:59 pm    Post subject: Reply with quote Add User to Ignore List

JohnLRice wrote:
Not trying to be argumentative, just curious. how do your panels differ from Moon, COTK and Mos-Lab?


no need to qualify your question as non-argumentative. it was nice meeting you in person.

my panels are made with the same photographic aluminum process Moog used, and my font usage and artwork is _identical_ to the RA Moog stuff when possible. for example, the font that is used for the individual element labels ("fixed control voltage", "output", etc) took me a whole month to track down. the time calibrations on the Yves Usson Gate Delay were reconstructed from a macro photograph i made of an actual 911 envelope generator at the local college, which was redrawn in adobe illustrator.

before i sold one module, i talked to Roger Luther (of moogarchives.com) about all of this. his first job at Moog was panel fabrication, and he told me how everything was done back then and i adapted the process. he told me my module looked like it was straight out of Trumansburg.

my panels scratch easier than others, but it's a tradeoff i'm willing to make for the elegant matte finish appearance of the photo-aluminum. it also winds up looking older than it actually is.

i also notch and bend the panels in the 1960s style, where the width is consistent from top to bottom. it means more sanding (yeah, i sand all of these panels to keep you from cutting your hand with them) but i don't mind. my mounting holes are also 3/16" like the RA Moog modules, instead of the 5/32" that Roger used when he brought the format back from the grave.

this is just aesthetic in nature. it's not that big of a deal. however guys who have bought my modules to fill holes in their Moog systems appreciate it, because they slide right in and look like they belong there.

it also makes _me_ happy, which is the most important thing. when i look at my stuff i feel very good about it. sure it might be ego trippin, but i think you can forgive that of a community college dropout who thought he was going to have to jockey an espresso machine and paginate newspapers part time for the rest of his life as of 7 years ago.

as far as all the other builders go, none of their artwork is this fetishised IRT RA Moog. the physical printing process of their panels is all different as well: MOS-LAB and Synthesizers.com use screen printing, Moon uses laser engraving, i don't know what CotK uses but his artwork is "chunkier" than the Moog. Doug Slocum uses the photo-almuminum as well but opted for the harder-to-scratch satin finish with deeper blacks. MacBeth has his own look going on that isn't even trying to evoke Moog.

Christopher Winkels wrote:
nice things


thank you!

Ockeghem wrote:
Well if he was from Northern Virginia, good chance it was me.
If I haven't ordered anything before now it's because I was busy funding Doug Slocum's trips to the diner and Roger's antique car mods.
All this indirectly of course. applause


thank you. i suppose you could say you bought me a frock coat.

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Ockeghem
missa propecia


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PostPosted: Sun Feb 19, 2012 8:43 pm    Post subject: Reply with quote Add User to Ignore List

Glad to see it's being put to good use. hihi
Highland frock coat looks great for those winter months.
We haven't had much snow this winter where i'm located.
Good thing because two snowflakes side by side basically shuts down the whole Capital. help

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synthnut wrote:

This is certainly a renaissance with bells and whistles on in the modular world. More MU is good for you, that's my motto...
TTFN,
Ben
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ben jah men
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PostPosted: Tue Feb 21, 2012 11:30 pm    Post subject: Reply with quote Add User to Ignore List

you're making me feel guilty for even considering putting banana jacks on STG modules that I don't even own yet. d'oh!
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tonnu
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PostPosted: Mon Mar 05, 2012 12:13 am    Post subject: Reply with quote Add User to Ignore List

suitandtieguy wrote:
for example, the font that is used for the individual element labels ("fixed control voltage", "output", etc) took me a whole month to track down.


hey just curious, what is the name of the font? it looks GREAT. i wish STG makes a complete system. or at least some VCO's and some EG's!

smile
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Ockeghem
missa propecia


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PostPosted: Wed Mar 07, 2012 7:02 pm    Post subject: Reply with quote Add User to Ignore List

Got my mixer Suit And Tie Guy!
applause

_________________
My mouth laughs, but my heart weeps...
_______________________________
synthnut wrote:

This is certainly a renaissance with bells and whistles on in the modular world. More MU is good for you, that's my motto...
TTFN,
Ben
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