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Chaotica: VCed chaos circuit
 
 
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Author Chaotica: VCed chaos circuit
frijitz
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PostPosted: Fri Sep 02, 2011 3:48 pm    Post subject: Chaotica: VCed chaos circuit Reply with quote Add User to Ignore List

As I came up with my previous chaos circuits/modules there were quite a few requests for more CV inputs. My latest design, called Chaotica, was developed to answer those requests. At first I didn't think voltage control would be all that that interesting, but since experimenting with the new unit I've completely changed my mind. There are all kinds of interesting pattern variations and unusual multiphonic audio signals made possible by the various modulation inputs. And audio-rate modulation is now looking very interesting -- imagine, if you can, a kind of chaotic ring modulation.

I have a web page up that has most of my results up.
http://home.comcast.net/~ijfritz/Chaos/ch_cir6_chaotica.htm
As of right now, Elby is planning on releasing a version in Euro format. I haven't gotten any interest from anyone as far as making a 5U format version. If nothing develops I may design a board for 5U myself, aimed mainly at the DIY community. Maybe someone would come up with a nice panel design, which would make a reasonably easy DIY project.

Stay tuned!

grin

Ian


Last edited by frijitz on Fri Sep 02, 2011 9:02 pm; edited 1 time in total
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decaying.sine
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PostPosted: Fri Sep 02, 2011 3:55 pm    Post subject: Reply with quote Add User to Ignore List

Does anyone have a chaotica up and running now besides Ian and Andrew?

The samples are lovely.

I'd love to buy a PCB for this. I started poking around with the schematics and was going to breadboard it (which I have almost no experience with) but then I decided to put it in my Eagle practice pile to make for home etching. Unfortunately, that's a large pile!

Laurie will probably offer just the PCB as well, right--in addition to the full module?

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PostPosted: Fri Sep 02, 2011 4:22 pm    Post subject: Reply with quote Add User to Ignore List

DIY in 5U? Could you possibly make that 4U?
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thermionicjunky
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PostPosted: Fri Sep 02, 2011 5:17 pm    Post subject: Reply with quote Add User to Ignore List

I'd go for a PCB with MOTM power.
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PostPosted: Fri Sep 02, 2011 5:32 pm    Post subject: Reply with quote Add User to Ignore List

I'd be down for a PCB especially one that would still fit in Euro.
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PostPosted: Fri Sep 02, 2011 11:58 pm    Post subject: Reply with quote Add User to Ignore List

Another cool design ian and I'm happy to hear elby is doing it. A double happy dance is due
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dan_k
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PostPosted: Sat Sep 03, 2011 2:03 am    Post subject: Reply with quote Add User to Ignore List

Congrats Ian!

This thing is insane, the video really showcases it well.

Added to my wish list when it's available from Elby.
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mono-poly
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PostPosted: Sat Sep 03, 2011 2:19 am    Post subject: Reply with quote Add User to Ignore List

Looking forward to it!
Love my Chaquo and TGTSH's!

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PostPosted: Sat Sep 03, 2011 3:44 am    Post subject: Reply with quote Add User to Ignore List

Great stuff Ian. If you go down the DIY PCB route and are able to squeeze the boards into a frac friendly size that'd be just grand.

Cheers,
Adam-V

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RichardC
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PostPosted: Sat Sep 03, 2011 8:26 am    Post subject: Reply with quote Add User to Ignore List

Very cool!! I'd love this in MU.
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PostPosted: Sat Sep 03, 2011 9:18 am    Post subject: Reply with quote Add User to Ignore List

I', sure would pick up a PCB.
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fluxmonkey
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PostPosted: Sat Sep 03, 2011 3:31 pm    Post subject: Reply with quote Add User to Ignore List

physically, most 3u designs can be made to work in either euro or frac. Ian, are the any component values that need to change for 12 vs 15 v?

b

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mono-poly
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PostPosted: Sat Sep 03, 2011 3:37 pm    Post subject: Reply with quote Add User to Ignore List

And i sure would pick up an Elby module.
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PostPosted: Sat Sep 03, 2011 3:45 pm    Post subject: Reply with quote Add User to Ignore List

very nice!!!
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Mongo1
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PostPosted: Sun Mar 04, 2012 1:50 pm    Post subject: Reply with quote Add User to Ignore List

Well, a few weeks ago Ian was kind enough to send me a prototype board of the Chaotica. I finally got it finished last night, and holy smokes what a wild gadget it is...

I've been fooling around with it all morning, and thought I'd shoot a video of it running. It's almost impossible to say "This is what Chaotica does", because changing any knob drastically changes everything.

In this patch I have my CGS VCO and my Teezer being driven by the "X" output. That Voltage is being processed by a Yusynth S&H, which is clocked by one half of a CGS DUSG. That DUSG is operating as a VCO, with the VC coming from the "Z" output of the Chaotica. "Y" is controlling the FC of my Yusynth VCO. Note that in this patch I don't have any of the CV inputs on Chaotica used. In earlier experiments I found that controlling the "Rate" with an LFO can produce some very pleasing results.

I had been considering building a wogglebug, but I don't think I will now. Taming chaotica may be a full-time project.

Note that there are some times in the video when my oscillators are either ultrasonic or subsonic, so be patient....



nanners Another great job Ian! applause

Gary

PS - I guess I really need to order some knobs one of these days meh

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frijitz
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PostPosted: Sun Mar 04, 2012 7:11 pm    Post subject: Reply with quote Add User to Ignore List

Last I heard from Elby he was waiting for boards to come in. I'm pretty sure he'll sell any combination of boards/panels/kits you want, in addition to finished modules.

The proto boards I had made are 5.3" x 4.5", with all I/O pads brought to one edge. They are the Advanced Circuits bare-bones specials, ie no silk, no mask.The I/O pins are labeled in the Cu layer, though, so it's easy to wire up. I made a nice easy-to-use stuffing diagram and also a panel wiring pictoral diagram.

Please let me know privately if you are interested in one (US only).

Ian
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Mongo1
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PostPosted: Sun Mar 04, 2012 8:01 pm    Post subject: Reply with quote Add User to Ignore List

A lot of the patches I've seen for chaos circuits show just how chaotic they can be - but I wanted to see if I could actually put one to good use as part of a composition.

Here's a patch I did this evening using the Chaotica. The module is controlling several aspects of the synth. One of the most evident affects is the non-linear pitch changes as the 'planes' dive and climb. You can also hear a variation in speed as the 'rate' gets modulated by a slow LFO. The result was a pretty neat 'swirl' that happen form time to time.

Anyway - here it is... Hope you enjoy it.

http://www.youtube.com/watch?v=v4OfBtVRjrA

Gary

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dan_k
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PostPosted: Tue Mar 13, 2012 1:21 am    Post subject: Reply with quote Add User to Ignore List

Thanks for posting these. Nice to see some more examples.
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thermionicjunky
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PostPosted: Sun Mar 18, 2012 12:59 pm    Post subject: Reply with quote Add User to Ignore List

I just finished my Chaotica. I've been using it for a minute and I already love it. I'll post some music and a picture later today. Chaos is going to be a large part of my doctoral project in composition, so I'm thrilled to have this in my system. Thanks Ian!
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PostPosted: Sun Mar 18, 2012 4:42 pm    Post subject: Reply with quote Add User to Ignore List

I can't seem to keep my patch cords away from chaotica now. It seems to worm its way into everything. My favorite technique is to hook a low speed triangle lfo to the rate cv, and the use that to modulate pitch of a vco. That produces some really wonderful variations on an otherwise humdrum patch.
Gary

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fluxmonkey
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PostPosted: Sun Mar 18, 2012 7:01 pm    Post subject: Reply with quote Add User to Ignore List

Ian: any updates on possible availability of PCBs from either yourself or Laurie? i've got a complete collection so far...
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frijitz
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PostPosted: Sun Mar 18, 2012 7:43 pm    Post subject: Reply with quote Add User to Ignore List

fluxmonkey wrote:
Ian: any updates on possible availability of PCBs from either yourself or Laurie?

Laurie's is in final testing.

Ian
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thermionicjunky
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PostPosted: Sat Apr 14, 2012 7:35 pm    Post subject: Reply with quote Add User to Ignore List

This isn't quite a demo, but recently Madcap Labs and I recorded a long improvisation using Chaotica and the TGTS&H as the primary sources of CV. I chopped up the stereo mix and layered the sections to create this.

Edit:removed


Last edited by thermionicjunky on Sun Aug 26, 2012 1:40 pm; edited 2 times in total
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PostPosted: Sat Apr 14, 2012 7:58 pm    Post subject: Reply with quote Add User to Ignore List

thermionicjunky wrote:
This isn't quite a demo, but recently Madcap Labs and I recorded a long improvisation using Chaotica and the TGTS&H as the primary sources of CV. I chopped up the stereo mix and layered the sections to create this.

[s]http://soundcloud.com/user2045938/april7-2012[/s]


Sounds great!

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frijitz
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PostPosted: Sat Apr 14, 2012 9:35 pm    Post subject: Reply with quote Add User to Ignore List

thermionicjunky wrote:
This isn't quite a demo, but recently Madcap Labs and I recorded a long improvisation using Chaotica and the TGTS&H as the primary sources of CV. I chopped up the stereo mix and layered the sections to create this.

Wow, that's wild! Thanks for posting -- I'm sure it will give folks another viewpoint on how to use the two modules.

Ian
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thermionicjunky
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PostPosted: Sun Apr 15, 2012 9:40 am    Post subject: Reply with quote Add User to Ignore List

Thanks for the response! While arranging this piece, I discovered how much I enjoy hearing multiple simultaneous time scales of chaotic oscillation. I'm going to explore this further by recording the outputs with my two Modcan CV Recorders.
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PostPosted: Sun Apr 15, 2012 12:57 pm    Post subject: Reply with quote Add User to Ignore List

Awesome module I would be down for a MU version in a heartbeat!
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frijitz
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PostPosted: Sun Apr 15, 2012 7:01 pm    Post subject: Reply with quote Add User to Ignore List

mecanikill wrote:
Awesome module I would be down for a MU version in a heartbeat!

Hmmm ... Doug was one of the guys I tried to get interested in it. Talk to him.

Ian
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PostPosted: Sun Apr 15, 2012 8:01 pm    Post subject: Reply with quote Add User to Ignore List

Mongo1 wrote:
I can't seem to keep my patch cords away from chaotica now. It seems to worm its way into everything. My favorite technique is to hook a low speed triangle lfo to the rate cv, and the use that to modulate pitch of a vco. That produces some really wonderful variations on an otherwise humdrum patch.
Gary
I can't wait to hear it in person Gary!
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PostPosted: Sun Apr 15, 2012 8:10 pm    Post subject: Reply with quote Add User to Ignore List

frijitz wrote:
mecanikill wrote:
Awesome module I would be down for a MU version in a heartbeat!

Hmmm ... Doug was one of the guys I tried to get interested in it. Talk to him.

Ian


Vince, you can tell Doug I want one, too. hyper
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PostPosted: Mon Apr 16, 2012 2:36 pm    Post subject: Reply with quote Add User to Ignore List

Thanks for posting this! The Chaotica seems like a bottomless source of awesome - I'm very much looking forward to having the Euro module in my system, and (eventually) to understanding a little bit about how it works :-)
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PostPosted: Fri Apr 20, 2012 3:52 pm    Post subject: Reply with quote Add User to Ignore List

This is more like a demo. The outputs were recorded to two Modcan CV Recorders. The recorders controlled delay time, regeneration and mix of the Modcan Digital Delay as well as rate, damping and gain of Chaotica, which determined pitch, timing and pan position. The rest of the patch consisted of a cross-modulated Buchla 258 clone, a Makenoise Optomix and a Buchla 207-based panning mixer.

Edit: removed


Last edited by thermionicjunky on Sun Aug 26, 2012 1:34 pm; edited 4 times in total
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PostPosted: Fri Apr 20, 2012 7:20 pm    Post subject: Reply with quote Add User to Ignore List

Lovely demo, Thermionic. If I didn't already want one, I sure would now.
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PostPosted: Mon May 07, 2012 4:06 pm    Post subject: Reply with quote Add User to Ignore List

So - here's a demo of my chaotica with the rate cranked up into the audio range. X and Y are used as audio outputs. I've got a couple of triangle LFOs driving rate and gain, and Z is being processed with a DUSG to create an envelope. Most of the video is 'single eye' and the 'wild' switch is off most of the time. And of course there's a big old delay on the output. This whole demo is musically useless, but there are some pretty crazy things going on here. You can occasionally here sounds like dogs, pigs, and ducks, and of course some whales swim by from time to time....

http://youtu.be/4QXd1MVHK7E

Gary

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PostPosted: Mon May 07, 2012 9:21 pm    Post subject: Reply with quote Add User to Ignore List

Thanks for reminding me to explore the audio range. I've barely touched it. I'll see what I can come up with.
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PostPosted: Mon May 07, 2012 9:52 pm    Post subject: Reply with quote Add User to Ignore List

ok, so how do all these differ?
Chaotica, Jerkster, double well, and the SnazzyFX Dreamboat?
Are any similar? what's in common?
I have and love the ChaQuo and Dreamboat.
thanks!
I don't think I need all but what overlap and important differences are there?
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PostPosted: Mon May 07, 2012 10:58 pm    Post subject: Reply with quote Add User to Ignore List

thetwlo wrote:
ok, so how do all these differ?
Chaotica, Jerkster, double well, and the SnazzyFX Dreamboat?
Are any similar? what's in common?
I have and love the ChaQuo and Dreamboat.
thanks!
I don't think I need all but what overlap and important differences are there?

Chaotica is basically a Jerkster on steroids. It has a bigger range of patterns and lots of VC.

ChaQuo is an enhanced Double Well plus a quadrature oscillator.

I have no idea what that other thing is. hihi

Ian
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PostPosted: Mon May 07, 2012 11:13 pm    Post subject: Reply with quote Add User to Ignore List

Thanks Ian!
So is the double well completely different from the Jerkster?
thanks!
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PostPosted: Tue May 08, 2012 12:09 am    Post subject: Reply with quote Add User to Ignore List

frijitz wrote:
thetwlo wrote:
ok, so how do all these differ?
Chaotica, Jerkster, double well, and the SnazzyFX Dreamboat?
Are any similar? what's in common?
I have and love the ChaQuo and Dreamboat.
thanks!
I don't think I need all but what overlap and important differences are there?

Chaotica is basically a Jerkster on steroids. It has a bigger range of patterns and lots of VC.

ChaQuo is an enhanced Double Well plus a quadrature oscillator.

I have no idea what that other thing is. hihi

Ian


hmmm..... isn't the snazzy fx dreamboat something like:


(www.cmp.caltech.edu)


cheers

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PostPosted: Tue May 08, 2012 12:47 am    Post subject: Reply with quote Add User to Ignore List

I'm just hoping the dreamboat isn't ripped from Ian's work, I kinda felt that vibe before. The only thing to dislike about the ChaQuo is the size, and sounds like it should've been built with 10 turn pots.(yes?)
Was about to build a Jerkster, but think I'll wait for the Chaotica. I wouldn't care but out of space.
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PostPosted: Tue May 08, 2012 2:25 am    Post subject: Reply with quote Add User to Ignore List

I doubt the Dreamboat is copied off Ian. Before it came out I sent Dan (of Snazzy FX) dozens of chaos circuits pulled from academic databases and he built and tested a lot of them. I would expect the dreamboat is some sort of mix from the circuits Dan experimented with. Judging by the number of emails & messages he sent me when he was working on chaos circuits he worked very hard to develop his own module. There was no need for him to copy Ian and he doesn't seem like the kind of guy to do that.

There are hundreds, if not thousands of other chaos circuits out there, many can be modded to use in synths and can be a lot of fun or at least interesting.
IMHO Ian's circuits are simply the best chaos modules for synth use as they were designed from scratch up for that purpose and Ian knows what he is doing.

btw i have built the Jerkster, two simple chaos modules (early CHAQUO) and the Chaotica. Most of my gigs end up with me sitting down and tweaking the Jerkster, that thing is capable of producing the most sublime voltages ever eek!

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PostPosted: Tue May 08, 2012 2:31 am    Post subject: Reply with quote Add User to Ignore List

thanks Andrew!
that helps quite a bit! The Dreamboat is nice--and very compact! But I think I need to build a Jerkster or wait for Chaotica. To me the Jerkster looked more interesting...
thanks!
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PostPosted: Tue May 08, 2012 2:35 am    Post subject: Reply with quote Add User to Ignore List

no worries
ooh! build the Jerkster! thumbs up

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PostPosted: Tue May 08, 2012 8:01 am    Post subject: Reply with quote Add User to Ignore List

Quote:
But I think I need to build a Jerkster or wait for Chaotica. To me the Jerkster looked more interesting...


Its fun to look at these schematics and try to determine what's the best module to have, but I want to make one thing clear that I've learned after using Chaotica.

A basic chaos generator is an LFO with a funky output.

It goes around it's attactor, and comes back to repeat EXACTLY the same thing next time. And the next, and the next.... It can therefore be every bit as a boring as an LFO.

Chaotica provides two solutions to that problem: CV control of everything, and a RESET input. IMO a chaos gen without those features would be a waste of panel space. Just a another annoying toy that I'd get tired of immediately. The CVs and RESET (and the wild and two-eye switch) open up the possible options to be almost limitless. I'd never think about settling for a less flexible unit now that I've tried the Chaotica.

The jerkster offers SOME control - but I just don't see the point of settling for a rowboat when you can get a speedboat.

Gary

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PostPosted: Tue May 08, 2012 8:38 am    Post subject: Reply with quote Add User to Ignore List

Mongo1 wrote:

A basic chaos generator is an LFO with a funky output.

It goes around it's attactor, and comes back to repeat EXACTLY the same thing next time. And the next, and the next.... It can therefore be every bit as a boring as an LFO.


It can be set for periodicity, but the right settings can prevent periodicity. I love having VC because it can morph between periodicity and chaos. And the reset feature is also essential for me.
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PostPosted: Tue May 08, 2012 10:46 am    Post subject: Reply with quote Add User to Ignore List

[quote="Mongo1"]
Quote:


A basic chaos generator is an LFO with a funky output.

It goes around it's attactor, and comes back to repeat EXACTLY the same thing next time. And the next, and the next.... It can therefore be every bit as a boring as an LFO.

Chaotica provides two solutions to that problem: CV control of everything, and a RESET input. IMO a chaos gen without those features would be a waste of panel space. Just a another annoying toy that I'd get tired of immediately. The CVs and RESET (and the wild and two-eye switch) open up the possible options to be almost limitless. I'd never think about settling for a less flexible unit now that I've tried the Chaotica.

The jerkster offers SOME control - but I just don't see the point of settling for a rowboat when you can get a speedboat.

Gary



If the cycle is EXACTLY the same each time around it is periodic, not chaotic. Virtually all chaotic circuits have windows of periodicity.
It takes a lot of tweaking to find the sweet spots in chaos modules and some careful patching to exploit them. Certainly not the easiest modules to exploit and certainly not for everyboby but, for me they are by far the deepest.


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PostPosted: Tue May 08, 2012 11:23 am    Post subject: Reply with quote Add User to Ignore List

That looks like an electron microscope photo of a duck billed platypus mite. hihi
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PostPosted: Tue May 08, 2012 11:32 am    Post subject: Reply with quote Add User to Ignore List

Indeed. Awesome visualization.

Is anyone working on a 5U/MU version of Chaotica?

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PostPosted: Tue May 08, 2012 11:33 am    Post subject: Reply with quote Add User to Ignore List

thetwlo wrote:
Thanks Ian!
So is the double well completely different from the Jerkster?
thanks!

Let's say it's a distant cousin. The Jerkster is a third-order system (outputs x, y, z) that oscillates on its own (autonomnous). DWell is a driven second order system, which is mathematically equivalent to a third-order system. Either one can give you just about any kind of chaotic behavior. But the patterns that predominate are different for the two. You can get a feel for this by looking at the scope shots at my website.

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PostPosted: Tue May 08, 2012 12:15 pm    Post subject: Reply with quote Add User to Ignore List

Chua's circuit was the first significant circuit implementation of dynamic chaos. It's a classic prototype, and has been studied extensively. It's main drawbacks are that it uses an inductor, and that it is virtually impossible to tune in frequency.

My circuits are based on the ideas of JC Sprott, who showed how to implement chaos in inductorless circuits using opamp integrators and simple semiconductor nonlinearities. It is quite easy to add voltage control to this kind of circuit, basically using circuit block akin to those in VCFs and VCAs. Details are in the chaos section of my website.

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PostPosted: Tue May 08, 2012 12:58 pm    Post subject: Reply with quote Add User to Ignore List

Mongo1 wrote:
....It goes around it's attactor, and comes back to repeat EXACTLY the same thing next time. And the next, and the next....

Ummm ... The whole point of chaos is that it does NOT repeat. It stays on an "attractor" which is a complicated sheet of (x, y, z) voltages. Thus it has a general feel of "always being the same and always being different".

Any chaotic system does have regions of periodicity (also known as "limit cycles"). As your audio demo shows so well, many of these have interesting, eerie vocal-like sounds. Even more are available using the reset/inhibit feature.

Quote:
IMO a chaos gen without those features would be a waste of panel space. Just a another annoying toy that I'd get tired of immediately. The CVs and RESET (and the wild and two-eye switch) open up the possible options to be almost limitless. I'd never think about settling for a less flexible unit now that I've tried the Chaotica.

Interesting comment. When I started out with my first experiments I didn't find VC all that interesting. And there are plenty of folks out there who have spent many hours with the simpler circuits. The original idea of making a board available for the double-well system was to make something very simple and at the same time very powerful available to experimenters. (By this time, I had already built several other chaotic systems for my personal use, including the 5th order hyperchaos system on my website and a fully VC'ed generalized Sprott system.)

Also, another reminder that it is important to be able to derive discrete chaotic signals from the continuous generators. My TGTSH unit was designed specifically for this purpose, but any S/H circuit may be used. Most of the work I do with chaos uses these, with as many as a dozen in a given patch.

Quote:
The jerkster offers SOME control - but I just don't see the point of settling for a rowboat when you can get a speedboat.

Again, the reason was largely historical. The point was to have something simple that people could easily put together and experiment with. As interest developed it became clearer that more extensive VC might be a useful addition. But would anyone have bothered building something as complicated as Chaotica without any idea of what it was or could do? Remember, there was nothing else with even remotely similar behavior in use at the time.

As another point, there is no obvious way to add interesting VC to the double-well system. VC variations there should be implemented by putting the drive signal under VC, ie using different waveforms and amplitudes.

Another reason to explore using simple systems is that multiple units can be used to make interesting higher-order chaotic patterns. If you try to cascade the full-featured modules you would probably be overwhelmed by all the possibilities.

Many thanks for your work with Chaotica, Gary. Hopefully it will help generate more interest for further development.

Ian
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PostPosted: Tue May 08, 2012 1:11 pm    Post subject: Reply with quote Add User to Ignore List

russma wrote:
Indeed. Awesome visualization.

Just to be clear, I'm pretty sure that isn't from Chaotica. More likely one of Andrew's many fascinating experiments.

Quote:
Is anyone working on a 5U/MU version of Chaotica?

No. I have a diy board available for anyone who wants to do a scratch build. That's where Mongo and Thermionic got theirs. Of course, I'd love to see a commercial 5U/MU version, but so far everyone is too busy with other projects.

Ian
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PostPosted: Sat Aug 25, 2012 4:46 pm    Post subject: Reply with quote Add User to Ignore List

I'm really fascinated by the Chaotica and want to get one, but baffled by how it works. is it sort of the equivalent of a three dimensional control where the third dimension is a vector instead of a scalar value?

I'm trying to figure out if the main use I might have for a Chaotica (apart from audio generation) is maybe simultaneous low frequency control of a set of three parameters to create a sound, instead of fiddling with one knob at a time, or two at a time in the case of a joystick.

I'm drastically simplifying, but is it somewhat like a autonomous three-dimensional joystick with a touch of random?

any reading links would be appreciated. sorry, I'm not very scientifically/mathematically inclined.
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PostPosted: Sat Aug 25, 2012 4:53 pm    Post subject: Reply with quote Add User to Ignore List

There's a great book called "Chaos" by James Gleick - It's a must-read IMO

Gary

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PostPosted: Sat Aug 25, 2012 5:07 pm    Post subject: Reply with quote Add User to Ignore List

thanks Mongo1. do you know if the book explains what third-order chaos is? I'm still tying to wrap my head around even Double Well as it relates to synthesis but all the text I've been finding is too general and I don't see how fits in synthesis yet.

and to be honest, those phase plane plots are neat but confuse me about how to musically use a chaos circuit.
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PostPosted: Sat Aug 25, 2012 6:06 pm    Post subject: Reply with quote Add User to Ignore List

bouzoukijoe1 wrote:
I'm really fascinated by the Chaotica and want to get one, but baffled by how it works.

Have you looked at my website?
http://home.comcast.net/~ijfritz/ch_over.htm

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PostPosted: Sat Aug 25, 2012 7:01 pm    Post subject: Reply with quote Add User to Ignore List

yes definitely, but I'm a little confused by the phase plots. I can only understand things linearly in terms of x/y sort of values. how does the circular stuff translate rhythmically if you have to sync to 4/4 music for instance? sorry if I'm a little dense.

also the two eye plots, still not sure how that converts to standard parameters like pitch etc.
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PostPosted: Sat Aug 25, 2012 8:52 pm    Post subject: Reply with quote Add User to Ignore List

Most 'scope images for chaotic circuits compare 2 outputs to obtain the classic images - butterfly wings, multiple wells, etc. It looks good but doesn't really tell you what the individual outputs are doing.

If it helps this vid shows a Jerk circuit, you can see the three outputs (channels 1-3) respond to a variety of input signals from a LFO (channel 4) and a bit of knob-tweaking. This circuit is very crude compared to Ian's elegant designs but is still quite useful as a CV source.





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PostPosted: Sat Aug 25, 2012 8:57 pm    Post subject: Reply with quote Add User to Ignore List

loving the Chaotica! had to give up the Chaquo. At first was disappointed, 10 mins later, love it! still miss the chaQuo a bit, but don't have room for both.
For me it's an essential module.
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PostPosted: Sat Aug 25, 2012 9:00 pm    Post subject: Reply with quote Add User to Ignore List

I think I'm just going to re-read it a few more times and maybe it will just sink in eventually.

oops, posted this on an old tab before seeing andrewF's post. thanks that's awesome. I think it's a little easier to make sense of the patterns that way. I think the Chaotica is just a more powerful version of the Jerk right?
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PostPosted: Sat Aug 25, 2012 10:30 pm    Post subject: Reply with quote Add User to Ignore List

bouzoukijoe1 wrote:
yes definitely, but I'm a little confused by the phase plots. I can only understand things linearly in terms of x/y sort of values. how does the circular stuff translate rhythmically if you have to sync to 4/4 music for instance? sorry if I'm a little dense.
also the two eye plots, still not sure how that converts to standard parameters like pitch etc.

When I first started learning chaos theory the hardest part was learning to think in phase-space terms. It's unfamiliar at first, but eventually it becomes easier than thinking about the time dependences.

Perhaps you have had a chance to play with a scope and a quadrature generator, or seen some demonstrations. The outputs of a quadrature oscillator are Sin and Cos functions. If you make an x-y plot of these you get a circle. Why? Well, Cos is zero when Sin is at peak or trough and vice versa. So go smoothly between the four points (x,y) = (1,0), (0,1), (-1,0) and (0,-1) and you have a circle. The circular shape corresponds to the 90 deg phase difference of the two signals. Now if you put one output into a VCO FM input and the other into a following VCF FM input, you will hear the pitch vary as the horizontal position of the scope spot and the brightness vary as the vertical position on the scope. This gives a signal that is varying in pitch and brightness in a correlated but not identical manner. If you tap out four beats per cycle (circle) each beat will correspond to one of the four points mentioned above, in frequency/brightness space.

The chaos generators work in a similar manner. The signal outputs are correlated, but now have irregular (chaotic) variations. A good example of how the correlations affect a typical synth patch, listen to clip 1 here:
http://home.comcast.net/~ijfritz/ch_cir4.htm
Both sections soud kinda random, but they have different characteristic sounds/feels, due to the two different correlations.

How the scope pattern corresponds to what you hear depends entirely on how you have the chaos generator patched into your system. For example, in a double eye system the two eyes could correspond to two pitch centers. You should be able to identify places that sound like that in some of the demos.

Hope this gives you at least a start in following what is going on with the chaos generators.

Ian
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PostPosted: Sat Aug 25, 2012 11:17 pm    Post subject: Reply with quote Add User to Ignore List

One thing I would chip in with -
It's good to understand what's going on, but don't overthink it.

A typical LFO is very easy to understand, and you can really sit down with it and make a plan of how to use it.

With Chaotica, I find that its a much more interactive process. I always start out with some sort of a plan, but often find that I end up doing a lot of random exploration with it. That makes sense, because the LFO maps easily into a nice two-dimensional graph. Chaotica throws in a another dimension as well as chaotic behavior. It's harder to get your head around.

Don't worry though - even if it IS a little harder to predict what you're going to get, it's usually an enjoyable ride.

As far as how to use it. I typically will take a couple of the outputs to different VCOs and do slight linear modulation with them. That can give you some really interesting tension on drones. As Ian says, if you take another output to the CV of a filter, or control a wavefolder with them, you can influence pitch and timbre at the same time.

To synch Chaotica with other devices you can easily push a trigger signal into the reset input. That will push all 3 outputs back to a known 0 point. If you do that you can use Chaotica as a weird envelope generator.

Anyway, just try it, and enjoy the exploration.

Gary

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PostPosted: Sun Aug 26, 2012 12:09 am    Post subject: Reply with quote Add User to Ignore List

Did there wind up being enough interest for a 5U version?
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PostPosted: Sun Aug 26, 2012 1:17 am    Post subject: Reply with quote Add User to Ignore List

ahhhhh thanks Ian. ok, I think the quadrature reference helps. and that makes me think if I had a scope set up to compare Chaotica with simpler waveforms it would give me a better idea. that is, comparing a simpler pattern with a chaotic pattern would actually teach me how to read and understand the chaotic pattern easier.

I think I just have to get it and play with it, as far as Gary's point. I don't want to overthink definitely since I'm not that kind of user anyway. I just need a general sense of what it does and the rest will just be intuitive wiggling.

I'm also curious if this can be used as a one-shot kind of generator, sort of like an envelope instead of cyclic. that could be much easier to use and control in a conventional music context.

I really want one. I hear it's one of the deepest modules to explore with.
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PostPosted: Sun Aug 26, 2012 9:23 am    Post subject: Reply with quote Add User to Ignore List

bouzoukijoe1 wrote:
I just need a general sense of what it does and the rest will just be intuitive wiggling.

Exactly. Just like with other modules. For example, to use a filter you don't need to understand in detail how it works -- all the doo-dah with the poles and zeros and whatnot -- but you do need to have some idea of what means LP, HP, BP, resonance...

Quote:
I'm also curious if this can be used as a one-shot kind of generator, sort of like an envelope instead of cyclic. that could be much easier to use and control in a conventional music context.

Yes, absolutely! I'm glad you brought this up, becuse it's an area that hasn't been much explored yet. You can get damped transient oscillations in a number of ways. You might have the generator sitting idly in a non-oscillating state and then set it oscillating with a pulse, a gate, or an envelope. On Chaotica you could use the Reset/Inhibit port. Definitely worth trying out.

Ian
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PostPosted: Sun Aug 26, 2012 9:34 am    Post subject: Reply with quote Add User to Ignore List

bouzoukijoe1 wrote:

I'm also curious if this can be used as a one-shot kind of generator, sort of like an envelope instead of cyclic. that could be much easier to use and control in a conventional music context.


I'm inclined to believe that trying to constrain this circuit to the context of conventional music will waste its potential. You could season your music with some interesting wobbles, but it's at its best as a collaborative analog computer. It's a tool that can help force us out of compositional ruts, particularly when used in conjunction with a sample & hold (and comparator). Whether we do art music or functional music or something in between, we should allow or instruments to change the music.
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PostPosted: Sun Aug 26, 2012 9:41 am    Post subject: Reply with quote Add User to Ignore List

thermionicjunky wrote:
bouzoukijoe1 wrote:

I'm also curious if this can be used as a one-shot kind of generator, sort of like an envelope instead of cyclic. that could be much easier to use and control in a conventional music context.


I'm inclined to believe that trying to constrain this circuit to the context of conventional music will waste its potential. You could season your music with some interesting wobbles, but it's at its best as a collaborative analog computer. It's a tool that can help force us out of compositional ruts, particularly when used in conjunction with a sample & hold (and comparator). Whether we do art music or functional music or something in between, we should allow or instruments to change the music.


Although, opening my mind to your approach is going to lead me to experimentation with damped oscillations.
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PostPosted: Sun Aug 26, 2012 2:09 pm    Post subject: Reply with quote Add User to Ignore List

thermionicjunky wrote:
bouzoukijoe1 wrote:

I'm also curious if this can be used as a one-shot kind of generator, sort of like an envelope instead of cyclic. that could be much easier to use and control in a conventional music context.


I'm inclined to believe that trying to constrain this circuit to the context of conventional music will waste its potential. You could season your music with some interesting wobbles, but it's at its best as a collaborative analog computer. It's a tool that can help force us out of compositional ruts, particularly when used in conjunction with a sample & hold (and comparator). Whether we do art music or functional music or something in between, we should allow or instruments to change the music.


no way. who said anything about only using it for conventional music? conventional music is merely another context. and you cannot rule it out. you have to be open to both unconventional and conventional. if you make a delineation and avoid so-called conventional music with respect to chaotic patterns, you still have to make sure you are aware of regularity and irregularity in every aspect of your music. there is just as much room use chaos in conventional music because music consists of several aspects. and not every aspect needs to be irregular. to imply that there is only one aspect that chaotic behavior would be implemented in would be simplistic.

freeform and other forms of irregular compositions can often neglect powerful ideas like structured progressions (and latent and innate human reponses to them). too often, experimental musicians make an excuse for avoiding intentional structures like a knee jerk reaction just for the sake of breaking free from regular structures. leaving structure entirely to chance or programmatic formulas can be as mindless and arbitrary as regularity. and the more you relinquish intentionality, the less of an artist you actually are. besides, the wave of modernist process-based/process-focused art has already passed -- dare I say it is passé. that "medium is the message" excuse is old (or any of its variants like "process is the message").

the important thing is intent and how you apply chaotic behavior, and less so the blanket decision to allow or disallow an instrument to control a song. to say that a chaotic circuit is wasted on "conventional" music could itself be a waste if your intent is arbitary.
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