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are digital synths generally more reliable than analog or?
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Author are digital synths generally more reliable than analog or?
Christopher Winkels
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PostPosted: Mon Aug 06, 2012 10:56 am    Post subject: Reply with quote Add User to Ignore List

darenager wrote:
Keep them clean too.


This too. I'm always in awe of how much garbage can get into a synth and wonder how anyone can let them get to that stage.

I buy so many synths that are just filthy. You wipe your hand across the front panel and wonder "what the fuck is this?", and then realize it's smoke, dust, mucus, spittle, beer, bong resin, finger oils and a dozen other substances. And those contaminants get into other places near and around the surface too.

That might be part of the reason why old analogue synths have a reputation for unreliability; because when the grime gets into pots, switches and sliders it makes everything perform badly and feel less than optimal. When in the early '80s the industry went to manufacturing synths with fewer moving parts that could admit pollutants the perception of reliability probably went up along with it.

It probably didn't hurt either that QC got better then too...
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ersatzplanet
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PostPosted: Mon Aug 06, 2012 11:02 am    Post subject: Reply with quote Add User to Ignore List

This is a generalization but still works most of the time - Analogue gear typically has more components to do the same job than Digital. Component failure in a analog system may only result is strange behavior, filters with weird slopes or strange VCO waveforms or such whereas when a digital system has a failure it typically is something that brings down a whole section of the synth or kills it completely. As far as scarcity of parts they are about the same - old unique analogue ICs and old digital CPUs.
To me the main difference is that I can modify analogue gear more easier than digital. It is something I like to do though and you may not be interested in that.

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CJ Miller
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PostPosted: Mon Aug 06, 2012 11:23 am    Post subject: Reply with quote Add User to Ignore List

Christopher Winkels wrote:
A lot of it depends on unobtanium parts and lacklustre support.


Look out for custom ICs, ASICs, and whether or not schematics and/or firmware are available. Any piece of gear made from off the shelf parts will be easy to maintain. Custom ICs might not be a problem if the synth is popular enough, like with the DX7. Some companies such Alesis make it difficult to obtain technical information. With new gear it is always a gamble - if the company folded in five years, would they make their schematics and firmware available? Perhaps, perhaps not.

My attitude about gear with unobtainium is a different. I like gear which can be field-stripped and serviced readily. I would not kick a CS30 or Acxel out of my bed, but I would handle them with kid gloves and not play them out.
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darenager
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PostPosted: Mon Aug 06, 2012 11:50 am    Post subject: Reply with quote Add User to Ignore List

I guess that in the future the only way to repair synths that use custom parts is to salvage from another broken example of the same synth.

So far it seems that most IC's in vintage gear seem pretty robust, things like CPU's that are mask programmed for example, there are probably exceptions but in my experience the only IC's that have gone kaput on me are easily available logic IC's. Maybe I have just been lucky, and maybe as time goes by the possibility of failure will increase exponentially.

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eccemusic
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PostPosted: Mon Aug 06, 2012 11:55 am    Post subject: Reply with quote Add User to Ignore List

Analogue synthesizers are more reliably awesome.
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Dr. Sketch-n-Etch
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PostPosted: Mon Aug 06, 2012 12:16 pm    Post subject: Reply with quote Add User to Ignore List

eccemusic wrote:
Analogue synthesizers are more reliably awesome.

thumbs up and lol

Also, in the "unobtainium analog ICs vs lost programming for digital ICs" debate, I would come down strongly on the analog side. It is not that difficult to reproduce the function of the famous custom analog chips, but it is nearly impossible to do so for digital chips without the original programming, assuming one could even find the right hardware for doing the programming on obsolete chips if one had the software.

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darenager
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PostPosted: Mon Aug 06, 2012 12:49 pm    Post subject: Reply with quote Add User to Ignore List

^ Good point.
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b3nsf
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PostPosted: Mon Aug 06, 2012 12:54 pm    Post subject: Reply with quote Add User to Ignore List

things that were soldered using lead solder last a lot longer, lead free solder causes tin whiskers... that causes failures

http://en.wikipedia.org/wiki/Whisker_%28metallurgy%29


also there is a thread about this here in the metasonix section...

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doombient.music
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PostPosted: Tue Aug 07, 2012 3:53 am    Post subject: Re: are digital synths generally more reliable than analog o Reply with quote Add User to Ignore List

thesnow wrote:
are digital synths generally more reliable than analog or vice versa?

like are digital synths less likely to fail or need repairing than analog?

for example synths like acces and waldorf vs moog

which synths last the longest/are built more like tanks?


In fifty years from now, a Mini Moog or an ARP 2600 can still be fixed by a skilled tech. Try this with a Blofeld. Or anything else with custom ICs in it.

I donīt care because in fifty years, I will have been gone for thirty-five years already...

Stephen

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soundmachines
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PostPosted: Tue Aug 07, 2012 5:37 am    Post subject: Reply with quote Add User to Ignore List

I'm pretty much concerned about data retention in flash microcontrollers or memories. As the technology is still 'new' I think we still have to see the full effects (also because manufacturers tend to 'hide' this parameter....). This is not something digital or analog, very few synthesizer nowadays does not have a micro inside!
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Morley
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PostPosted: Tue Aug 07, 2012 6:16 am    Post subject: Reply with quote Add User to Ignore List

Never had any major problems with either BUT in my experience, digital synths can be hard to get repaired. Custom components and high density make a standard tech shudder. Many analogue synths are fairly straight forward as long as components can be found.

To be honest though, over 20 plus years I have had very few issues and have had a huge quantity of gear both analogue (mainly) and digital.

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Zenn
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PostPosted: Tue Aug 07, 2012 6:54 am    Post subject: Reply with quote Add User to Ignore List

Only synth I ever fried was an ESQ1...had a dead battery, tried to fix it myself and than it only produced "System Error. Pleas$%&*#"

Lesson learned: take 80's digital synths to the doctor, even for small fixes like batteries. or else: properly ground yourself. This is mainly because the logic board is very sensitive to static discharges. Analog and more modern synths are much less sensitive in that sense.
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continuum
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PostPosted: Tue Aug 07, 2012 9:48 am    Post subject: Reply with quote Add User to Ignore List

The lost code is really the Achilles' heel of many synths both analog and digital. I was given a JX8P to fix up, and while the analog section was fine the EPROM chip had a leg broken clean off. With no copies of the software available the synth didn't work at all.
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doombient.music
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PostPosted: Tue Aug 07, 2012 10:58 am    Post subject: Reply with quote Add User to Ignore List

I think EPROMs generally are prone to failure. The older, the more prone to disaster they are.

2708-type EPROMs in early PPGs, 2716-type EPROMs in something like a Linn LM-1...

Not to forget custom LSI chips, as used in Yamaha polyphonics like the CS50/60/80, or those custom VCO/VCF/EG ICs.

Curtis and SSMs in general.

Thatīs why I use my old gear *now* rather than someday or other... record it while you still can smile.

Stephen

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CalvaryBand
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PostPosted: Tue Aug 07, 2012 4:26 pm    Post subject: Reply with quote Add User to Ignore List

A lot of late-era digital stuff seems pretty bullet-proof if you take care of it; stuff like your Viruses, Nords, etc. But, like what everyone is saying, if there is an issue with it later down the road an oldie will probably be fixable while a digital might be bricked. Not sure if this is a huge issue as a lot of digital synths now cost as much as the average repair on an analog poly, haha.
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ringstone
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PostPosted: Tue Aug 07, 2012 6:38 pm    Post subject: Reply with quote Add User to Ignore List

b3nsf wrote:
things that were soldered using lead solder last a lot longer, lead free solder causes tin whiskers... [... ]also there is a thread about this here in the metasonix section...


But it's based on the ravings of a known internet crackpot (not Eric BTW) The issue he was actually talking about (had he actually read the report properly) was more likely TIN PLATING not lead free solder d'oh!

Cheers
Blair

EDIT: Back on topic:

Digital synths are like binary, they either work or they don't.
Analogue synths can operate in an infinite number of states between "not working" and "working perfectly and 100% in tune"...

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meatcliff
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PostPosted: Tue Aug 07, 2012 7:29 pm    Post subject: Reply with quote Add User to Ignore List

the mention of certain brand names as examples gave me a chill down my spine...

i sure as hell don't trust certain new digital synths i own to work in ten years...

on the other hand i'd trust an older digital synth a lot more than something new.
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Michaud
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PostPosted: Tue Aug 07, 2012 8:09 pm    Post subject: Reply with quote Add User to Ignore List

I think it is the same, except that an analogue synth is probably easyer to repair.

But a digital synth is more reliable than a computer!

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dougt
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PostPosted: Tue Aug 07, 2012 8:14 pm    Post subject: Reply with quote Add User to Ignore List

continuum wrote:
The lost code is really the Achilles' heel of many synths both analog and digital. I was given a JX8P to fix up, and while the analog section was fine the EPROM chip had a leg broken clean off. With no copies of the software available the synth didn't work at all.


I try to make backups of all the synth EPROMs that I come across. I could have made you a new JX8P ROM...

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splitpoint
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PostPosted: Tue Aug 07, 2012 8:41 pm    Post subject: Reply with quote Add User to Ignore List

I don't think one is more reliable than the other.

I have an sh09 that is in for it's first service in 32 years but I also have an ESQ-1 that has only ever had the battery changed. A pair of tx7's with no issues whatsoever and a pair of EIII's that still work without ever being serviced other than swapping out dead hard disk drives. My Waveframe is 25 years old now and the only thing I've done to it was replace the aging gui computer (originally a 386) with something more modern(PIII) no problems whatsoever with the actual Waveframe hardware. When I had my Prophet 5's the only thing that needed to be replaced were the batteries but I did pay to have one upgraded with midi. Never had a single issue with the OB8 that I had. Had one PEK with encoder problems but my other PEK is an early one before the encoder issues and works great.

The only synth that I have any concerns about is my Q as parts are impossible to find and my experience is that Waldorf isn't interested in helping me keep my Q running. Makes me consider selling the Q.

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