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Syncing Ableton Live & TR-707 via MIDI Clock = sadness
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Author Syncing Ableton Live & TR-707 via MIDI Clock = sadness
sascha.victoria
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PostPosted: Wed Aug 15, 2012 3:12 pm    Post subject: Reply with quote Add User to Ignore List

Did a little calibration on my saved External Instruments this morning and now all my MIDI is tickin in time when I record it in. BOOYA! No more sliding things over or listening to everything slightly out of sync while I make my tracks. FUCKIN BEST ABLETON TIP IN YEARS!
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Arturo00
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PostPosted: Wed Aug 15, 2012 6:23 pm    Post subject: Reply with quote Add User to Ignore List

I have a 505, 707, 808 and 909 synced by an msq100 and this sort of behavior is common for me, though I don't know if it's that big've a delay. I use Cubase 5.5 with an RME fireface 800. My MIDI cable is like 25ft long so I always assumed it was just lag from the MIDI signal. I've also noticed that different drum machines have different start delays.

I just zoom in and manually nudge the tracks to zero and make sure everything is ok down the line.

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BHC303
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PostPosted: Thu Aug 16, 2012 3:46 am    Post subject: Reply with quote Add User to Ignore List

I never get the results I am looking for when I play with the track delay settings? its almost like they don't do anything hmmm.....

Whats everyone using in there abletons preferences in regards to delay compensation?

I use a motu ultralite also, when I did the built in test there was almost no delay confused but I get massive delay when recording anything very frustrating

I have got a sync lock recently, I still need to measure the sample off set from a recording taken in live in another audio editor, something that can measure in samples on a grid, then I can adjust the synclock by this amount to line it up, another work around would be to do the above minus the synclock and adjust the track delay by samples (how ever many samples are out of time)

Someone else mentions the crappy timing of live (computer) and trying to record MD and Mono Dead Banana I almost gave up!
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sascha.victoria
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PostPosted: Thu Aug 16, 2012 10:44 am    Post subject: Reply with quote Add User to Ignore List

Is it the timing of Live or the MD/MnM? Because when I use my CR8000 that thing is pretty rock solid and just needs to be nudged over. Same goes for my 909.
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Oldstench
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PostPosted: Thu Aug 16, 2012 10:46 am    Post subject: Reply with quote Add User to Ignore List

BHC303 wrote:
I never get the results I am looking for when I play with the track delay settings? its almost like they don't do anything hmmm.....

Whats everyone using in there abletons preferences in regards to delay compensation?

I use a motu ultralite also, when I did the built in test there was almost no delay confused but I get massive delay when recording anything very frustrating

I have got a sync lock recently, I still need to measure the sample off set from a recording taken in live in another audio editor, something that can measure in samples on a grid, then I can adjust the synclock by this amount to line it up, another work around would be to do the above minus the synclock and adjust the track delay by samples (how ever many samples are out of time)

Someone else mentions the crappy timing of live (computer) and trying to record MD and Mono Dead Banana I almost gave up!

OK, there are two ways that Live deals with recording latency, and they have to do with how monitoring is set on the recording channel.

If it's set to "In" or "Auto", everything is recorded exactly as monitored. Therefore your overall soundcard latency and buffer size directly relate to how off the recording is.

If set to "Off", the recording will be shifted after recording is complete by the estimated latency and the Driver Error Compensation value.

You can use direct monitoring on your soundcard to monitor what you're recording in this way, or simply create a second track with monitoring set to On to listen to what you're recording while the actual recording track is set to Off. That's how I roll and it works pretty well.
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giorgio
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PostPosted: Thu Aug 16, 2012 3:14 pm    Post subject: Reply with quote Add User to Ignore List

testing now, without touching any settings Ableton live 8.3.3 running mountian lion. motu midi express xt via usb and midi from there to the 909. audio from the 909 to my firewire mackie board and into ableton.

first sample 8ms latency
second 6ms
3rd 7ms

messing around with the settings, I can get it down to 3 or 4 ms

this is totally fine and acceptable for me, I can either just leave it, or slide it over, or quantize if I want that kinda feel ...options

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sascha.victoria
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PostPosted: Thu Aug 16, 2012 3:27 pm    Post subject: Reply with quote Add User to Ignore List

Oldstench wrote:
If set to "Off", the recording will be shifted after recording is complete by the estimated latency and the Driver Error Compensation value.


Woa! Going to be trying this out in about 5 min. This is seriously the best thread in a long time.

Adjusting the timing on External MIDI instruments helped a lot. I don't know how I didn't notice this before.

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BHC303
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PostPosted: Thu Aug 16, 2012 4:18 pm    Post subject: Reply with quote Add User to Ignore List

Oldstench wrote:
BHC303 wrote:
I never get the results I am looking for when I play with the track delay settings? its almost like they don't do anything hmmm.....

Whats everyone using in there abletons preferences in regards to delay compensation?

I use a motu ultralite also, when I did the built in test there was almost no delay confused but I get massive delay when recording anything very frustrating

I have got a sync lock recently, I still need to measure the sample off set from a recording taken in live in another audio editor, something that can measure in samples on a grid, then I can adjust the synclock by this amount to line it up, another work around would be to do the above minus the synclock and adjust the track delay by samples (how ever many samples are out of time)

Someone else mentions the crappy timing of live (computer) and trying to record MD and Mono Dead Banana I almost gave up!

OK, there are two ways that Live deals with recording latency, and they have to do with how monitoring is set on the recording channel.

If it's set to "In" or "Auto", everything is recorded exactly as monitored. Therefore your overall soundcard latency and buffer size directly relate to how off the recording is.

If set to "Off", the recording will be shifted after recording is complete by the estimated latency and the Driver Error Compensation value.

You can use direct monitoring on your soundcard to monitor what you're recording in this way, or simply create a second track with monitoring set to On to listen to what you're recording while the actual recording track is set to Off. That's how I roll and it works pretty well.


Awesome! thanks for posting this we're not worthy

What do you recommend is a good setting in the abletons audio preferences in regards to delay compensation?

Cheers mate

SlayerBadger!
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rowman
birds are dinosaurs


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PostPosted: Sat Aug 18, 2012 11:07 am    Post subject: Reply with quote Add User to Ignore List

Oldstench wrote:

If set to "Off", the recording will be shifted after recording is complete by the estimated latency and the Driver Error Compensation value.


No way! I usually just slide the 'start of clip' arrow to the start of the audio. Cheers for this
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Oldstench
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PostPosted: Sat Aug 18, 2012 7:56 pm    Post subject: Reply with quote Add User to Ignore List

BHC303 wrote:

What do you recommend is a good setting in the abletons audio preferences in regards to delay compensation?

If by delay compensation you mean driver error compensation, there is a lesson built into Live that will help you set this.

Go to Help->Help View, click on the learn to set up your audio hardware link, go to the last page (17) and click the Driver Error Compensation link.

In the middle of the first page is a link to open a Live set that is used to set the compensation correctly. Follow the instructions which includes connecting an output of your soundcard directly to an input and recording a test sound.

Once you complete this lesson, your DEC will be set up properly and your audio should be much more in sync when recording without monitoring.

Hope this helps.
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BHC303
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PostPosted: Sun Aug 19, 2012 12:59 am    Post subject: Reply with quote Add User to Ignore List

Hey Oldy, yeah I meant driver error compensation, silly me d'oh!

I did that lesson and I my sound card was only a few samples out? I could not make an adjustment big enough to for ableton to register the offset as it was so small?

Does that sound write?

Cheers mate
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computer controlled
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PostPosted: Mon Aug 27, 2012 11:29 pm    Post subject: Reply with quote Add User to Ignore List

All audio coming externally into Ableton is always a few ms late standard, on my system. I use the delay comp at the bottom of the tracks to tighten it all up. Also i noticed the 707 is always late on the first hit, but it syncs up right after that.
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Bryan B
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PostPosted: Tue Aug 28, 2012 12:01 am    Post subject: Reply with quote Add User to Ignore List

I tried everything and gave up on using Midi clock from or into Ableton with gear. I still use Midi to trigger notes, gates and drum sounds.

I switched to Silent Way and I have had little complaint and even that little complaint was fixed already. Now Silent Way even offers jitter free Midi if you have the right sample rate interface. I would love to give that a spin sometime (if Din Sync wasn't working so great for me already).

Computers and software need to wake up and make Midi clocking a priority! How can we have amazingly fast processors and be recording audio at the rates we have now and still be limiting Midi quality to 1983ish standards?

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BHC303
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PostPosted: Tue Aug 28, 2012 4:08 am    Post subject: Reply with quote Add User to Ignore List

I am keen to look into silent way, what modules do you use with the software?
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Bryan B
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PostPosted: Tue Aug 28, 2012 6:22 am    Post subject: Reply with quote Add User to Ignore List

I built a 1/4" to Din Sync Converter (that also splits the clock like a mult) and I use my MOTU 1224's headphone out from Ableton to drive it.

I run a TR-909, TR-808, TR-606, TB-303 and all of My STG Time Suit modules from that 1 stereo headphone output.

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BHC303
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PostPosted: Tue Aug 28, 2012 4:11 pm    Post subject: Reply with quote Add User to Ignore List

Bryan B wrote:
I built a 1/4" to Din Sync Converter (that also splits the clock like a mult) and I use my MOTU 1224's headphone out from Ableton to drive it.

I run a TR-909, TR-808, TR-606, TB-303 and all of My STG Time Suit modules from that 1 stereo headphone output.


Nice woah

Wish I was a little more DIY!
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