Not So Tame ...

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Noiseconformist
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Not So Tame ...

Post by Noiseconformist » Tue Jul 19, 2016 12:14 pm

https://soundcloud.com/noiseconformist/not-so-tame

A quick recording testing some not so tame filter sounds.
All sound changes are done manually. (i.e. "tweaking knobs")
From what I gather that was just scratching the surface. ;)
Not giving away what it is for the time being ... have a guess.
Hint: it's four older modules, two of them are VCOs (iss.3) providing the beating bass-ish source - and it's simple. ;)
Last edited by Noiseconformist on Tue Jul 19, 2016 7:44 pm, edited 1 time in total.

JohnLRice

Re: Not So Tame ...

Post by JohnLRice » Tue Jul 19, 2016 12:17 pm


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Noiseconformist
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Post by Noiseconformist » Tue Jul 19, 2016 5:00 pm

thanks!
(how did you embed?)

JohnLRice

Post by JohnLRice » Tue Jul 19, 2016 5:28 pm

Noiseconformist wrote:thanks!
(how did you embed?)
I just wrapped the URL with "" tags. If you click the Quote button on my post you can see what it looks like. :tu:

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Noiseconformist
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Post by Noiseconformist » Tue Jul 19, 2016 7:45 pm

I see, thanks John!

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Huba-Swift
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Post by Huba-Swift » Tue Jul 19, 2016 8:14 pm

I just made a sound which I believe is the most untamed filter sound I've ever heard.
https://soundcloud.com/user-266524053

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Noiseconformist
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Minibrute? WTH?

Post by Noiseconformist » Wed Jul 20, 2016 4:49 am

Well, yeah ... just in case this didn't come across:
the whole point I was trying to make was the idea of getting aggressive and intense sounds
with smooth, controllable transitions from standard Oakley Sound Systems modules
(which is the focus of this forum!) rather than from an instrument (and I certainly dig Yves Usson's creations!)
which's been designed for that.

And as for another hint: it's not a Croglin! 8-)
(which I finally should try at some point!)

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Huba-Swift
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Re: Minibrute? WTH?

Post by Huba-Swift » Wed Jul 20, 2016 8:49 pm

Noiseconformist wrote:Well, yeah ... just in case this didn't come across:
the whole point I was trying to make was the idea of getting aggressive and intense sounds
with smooth, controllable transitions from standard Oakley Sound Systems modules
(which is the focus of this forum!) rather than from an instrument (and I certainly dig Yves Usson's creations!)
which's been designed for that.

And as for another hint: it's not a Croglin! 8-)
(which I finally should try at some point!)
Sorry, I just jumped in and posted without even looking at what topic section I was in :doh:

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Noiseconformist
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Post by Noiseconformist » Wed Jul 20, 2016 9:18 pm

np!

BTW, the patch:

VCO1[RECT] > MULA[IN2]
(VCO1 tuned to taste but 1 Octave lower than VCO2)
VCO2[SAW] > MULA[IN3] (MULA has resonance bass compensation ON)
VCO1[TRI] > VCO2[LIN] (lin fm dialed in just from 4:10 onwards)
MULA[OUT1] > SVF[IN] (SVF Q about 25%, varied during playing, same with f)
SVF[HP] > Mixing Desk
SVF[BP] > MULA[FBIN] (that breaks the resonance circuit, MULA Q at about 40%, also played, same w/ f)
MULA[OUT4] > Mixing Desk

MULA = Multiladder
SVF = State Variable Filter
FBIN = Feedback IN, the resonance circuit tap

simple ... ;)

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