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Serge + Other synths :: a very subjective question |
Scories Wiggling with Experience
Joined: 01 Feb 2012 Last Visit: 18 Jun 2013
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Posted: Mon Mar 05, 2012 10:47 pm Post subject: Serge + Other synths :: a very subjective question |
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Hello. Here's a message I've also posted on gearslutz :
I've produced a electronic music in the late 90's/early 2000's; moody stuff à la BoC, made with synths and drum machines.
In the mid 00's, I left my keyboards to create more avant-gardist sound collages made out of thousand samples of field recordings and acoustic sounds (mostly recorded during long improvised sessions with odd instruments). A few months ago, I've tried to expand this technique to my 70's synths... and it failed.
Since then, I bought a vibraphone and decided to reduce my studio. Now I'd like to replace my analog synths by a Serge Animoo/Sequencer so I could get those concrete-like analog sequences I'm looking for. And over those sequences, I could keep one or two analog synths to play melodic lines. The sequencer would be good because I want to compose complex things and my keyboard skills are limited.
Anyway, here's the studio gear I should probably keep : Korg Z1 (MIDI controller), Roland JX-3P, MC-50, Kenton Pro-Solo, Commodore 64 (w. Cynthcard), Electrix FilterFactory, Eventide TimeFactor, Lovetone Doppelganger (dual tremolo/phaser), Snazzy FX Wow&Flutter.
And here's the stuff I might sell to raise money for a Serge Animoo/sequencer:
Micromoog (w. restored kybd)
Pros: Great flexible tone (from clean to dirty), quite versatile with the Kenton pro-solo.
Cons: Some overlap with the Commodore 64 in terms of dirtiness, needs a cv/gate converter.
Roland SH-101
Pros: Good musical/melodic sound with a very good dynamic.
Cons: Quite limited modulations, need a delay to really shine.
Roland SH-1000 (w. cv/gate mod)
Pros: Super rich vintage tone with the greatest resonance.
Cons: Not so flexible in terms of modulation, not a great resale value.
Univox Minikorg 700
Pros: Beautiful and sweet vintage leads, good 'different' filter.
Cons: Not as flexible as the 700s, not a great resale value.
Tom Oberheim SEM (MIDI version)
Pros: Doesn't take too much space, MIDI options, different type of filtering.
Cons: Limited modulation, big sound that is not always easy to fit in the mix.
Waldorf Microwave XT
Pros: Can generate really weird plings and klangs with the arp.
Cons: Sounds too digital for what I'd like to do.
All these synths sounds VERY good, but I feel that I just have too many of them and that they are underused.
So here's my [very subjective] question : From all the synths above, if you had just one to keep, which one would it be and why?
I'd be curious to get some 2nd opinions...
Thanks!! |
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drewskee Wiggling with Experience
Joined: 06 May 2009 Last Visit: 19 Jun 2013
    Posts: 316 Location: Swamps of New Jersey
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Posted: Mon Mar 05, 2012 11:15 pm Post subject: Re: Serge + Other synths :: a very subjective question |
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I'll take a shot here as I know this gear and was one of the main sound designers for Korg on the Z-1. If it were "me" I'd keep the Z1, the Micromoog and possibly the SEM. If you have the editor for the Z-1 and know how to program it there are a lot of unique and dynamic sounds to be had.
I'd sell the Lovetone as that will bring good money and the JX3P as well along with the other items. Not sure the Commodore will fetch anything nor the MC-50 so if you know how to use them and they can be part of your palate then the should stay.
You will get a gazillion opinions on what is essential, this is just my 2 cents. I used a Micromoog and SEM combo in the late 70's and they make some incredible tones separately and together.
| Scories wrote: | Hello. Here's a message I've also posted on gearslutz :
I've produced a electronic music in the late 90's/early 2000's; moody stuff à la BoC, made with synths and drum machines.
In the mid 00's, I left my keyboards to create more avant-gardist sound collages made out of thousand samples of field recordings and acoustic sounds (mostly recorded during long improvised sessions with odd instruments). A few months ago, I've tried to expand this technique to my 70's synths... and it failed.
Since then, I bought a vibraphone and decided to reduce my studio. Now I'd like to replace my analog synths by a Serge Animoo/Sequencer so I could get those concrete-like analog sequences I'm looking for. And over those sequences, I could keep one or two analog synths to play melodic lines. The sequencer would be good because I want to compose complex things and my keyboard skills are limited.
Anyway, here's the studio gear I should probably keep : Korg Z1 (MIDI controller), Roland JX-3P, MC-50, Kenton Pro-Solo, Commodore 64 (w. Cynthcard), Electrix FilterFactory, Eventide TimeFactor, Lovetone Doppelganger (dual tremolo/phaser), Snazzy FX Wow&Flutter.
And here's the stuff I might sell to raise money for a Serge Animoo/sequencer:
Micromoog (w. restored kybd)
Pros: Great flexible tone (from clean to dirty), quite versatile with the Kenton pro-solo.
Cons: Some overlap with the Commodore 64 in terms of dirtiness, needs a cv/gate converter.
Roland SH-101
Pros: Good musical/melodic sound with a very good dynamic.
Cons: Quite limited modulations, need a delay to really shine.
Roland SH-1000 (w. cv/gate mod)
Pros: Super rich vintage tone with the greatest resonance.
Cons: Not so flexible in terms of modulation, not a great resale value.
Univox Minikorg 700
Pros: Beautiful and sweet vintage leads, good 'different' filter.
Cons: Not as flexible as the 700s, not a great resale value.
Tom Oberheim SEM (MIDI version)
Pros: Doesn't take too much space, MIDI options, different type of filtering.
Cons: Limited modulation, big sound that is not always easy to fit in the mix.
Waldorf Microwave XT
Pros: Can generate really weird plings and klangs with the arp.
Cons: Sounds too digital for what I'd like to do.
All these synths sounds VERY good, but I feel that I just have too many of them and that they are underused.
So here's my [very subjective] question : From all the synths above, if you had just one to keep, which one would it be and why?
I'd be curious to get some 2nd opinions...
Thanks!! |
_________________ "Things should be as simple as possible, but not one bit simpler" - Albert Einstein |
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Scories Wiggling with Experience
Joined: 01 Feb 2012 Last Visit: 18 Jun 2013
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Posted: Mon Mar 05, 2012 11:22 pm Post subject: |
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That makes sense, thanks for taking the time to come out with an advice. I'll be thinking about it.
Btw, the Doppelganger is at his best when combined with the JX-3P. And the SEM/Moog is a classic combo but none of them need the Doppelgagner to shine.
The Doppelganger is an awesome device to bring some organic warmth though.
Edit : I did not noticed at first... but were you part of the crew that conceived the Z1??
I am amazed! Been using this synth for 14 years now, it's a real chameleon. The Minikorg has been my first synth, but the Z1 has been the one I've used the most in my life. I hear that the main designer of the Z1died and that it explains why there has been no Z2.... |
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nrdvrgr Working at NASA on acid
Joined: 29 Dec 2009 Last Visit: 19 Jun 2013
   Posts: 3283 Location: Wermland, Sweden
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Posted: Tue Mar 06, 2012 2:30 am Post subject: |
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SH-101, but mostly for sentimental reasons... (it was my first synth, and since it was my only instrument at the time I really explored it and got to know it better than I have known any other instrument) _________________ :S:S:S:
WEBSITE: http://www.nordvargr.com
BUY/LISTEN: http://nordvargr.bandcamp.com
SERGE VIDS: http://vimeo.com/nrdvrgr
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chrisso Super Deluxe Wiggler
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Posted: Tue Mar 06, 2012 3:23 am Post subject: |
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Your rationale seems to make decent sense.
If I was going to keep one synth out of your list it would be the SEM. I just think it's an awesome and versatile synth.
You could trade it in for a SEM Pro (patch and midi i think?) or an SEM patch point to integrate into your future Serge system. |
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batchas Switched on Buchla
Joined: 09 Nov 2011 Last Visit: 19 Jun 2013
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Posted: Tue Mar 06, 2012 4:01 am Post subject: |
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| chrisso wrote: | Your rationale seems to make decent sense.
If I was going to keep one synth out of your list it would be the SEM. I just think it's an awesome and versatile synth.
You could trade it in for a SEM Pro (patch and midi i think?) or an SEM patch point to integrate into your future Serge system. |
+1
Might keep Micromoog as well... |
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confusional Ultra Wiggler
Joined: 28 Apr 2009 Last Visit: 19 Jun 2013
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Posted: Tue Mar 06, 2012 1:27 pm Post subject: |
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Really, this is a question that only you can answer. But if you're considering a Serge Animal + Sequencer, the Roland SH-101 would make a very nice and relatively compact cv/gate keyboard to control it. Sometimes less is so much more.
Of course, you have other wonderful, great sounding synths listed that could also fulfill the same role. With the move to Serge, how important is MIDI integration in your life? If it's still a factor, then perhaps the SEM. |
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Scories Wiggling with Experience
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Posted: Tue Mar 06, 2012 2:04 pm Post subject: |
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| confusional wrote: | Really, this is a question that only you can answer. But if you're considering a Serge Animal + Sequencer, the Roland SH-101 would make a very nice and relatively compact cv/gate keyboard to control it. Sometimes less is so much more.
Of course, you have other wonderful, great sounding synths listed that could also fulfill the same role. With the move to Serge, how important is MIDI integration in your life? If it's still a factor, then perhaps the SEM. |
The Micromoog and the SEM also have cv/gate outputs.
I also have a sentimental relationship with the 101. That's my 3rd one. Had a blue model back in the days and I kinda miss it. Sold it to a keyboard virtuoso a few years ago.
I could upgrade the SEM with patch points (280$ from Mr Oberheim; no soldering skills needed). Can the Serge filter sound like the SEM filter (merging 12db lpf/notch/hpf)?
The more I think about it, the more I think I should keep the Moog. |
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confusional Ultra Wiggler
Joined: 28 Apr 2009 Last Visit: 19 Jun 2013
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Posted: Tue Mar 06, 2012 11:47 pm Post subject: |
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| Scories wrote: |
I could upgrade the SEM with patch points (280$ from Mr Oberheim; no soldering skills needed). Can the Serge filter sound like the SEM filter (merging 12db lpf/notch/hpf)?
The more I think about it, the more I think I should keep the Moog. |
Cool, keep the Moog. As far as filters go, the Serge Modular has a few:
http://www.serge-fans.com/wiz_filt.htm
The most common being the Variable Q VCF, which though also 12 dB/oct, offers simultaneous LP, HP, BP, Notch output... and you can ring the hell out of it by sending a pulse into the Trig Input. I love this filter to death, but it does not sound like the uniquely creamy SEM filter, nor is it sweepable between multimodes, like you can manually do on the SEM. |
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booger Veteran Wiggler
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Posted: Wed Mar 07, 2012 6:01 am Post subject: |
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...
Last edited by booger on Wed Mar 07, 2012 7:29 am; edited 1 time in total |
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ndkent Super Deluxe Wiggler
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e-grad Super Deluxe Wiggler
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Posted: Wed Mar 07, 2012 6:55 am Post subject: |
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If I weigh your list of cons then I think the Micromoog should stay. Especially given it's pros stated. _________________ elektrograd |
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Scories Wiggling with Experience
Joined: 01 Feb 2012 Last Visit: 18 Jun 2013
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Posted: Wed Apr 18, 2012 1:32 pm Post subject: |
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Hey! I'm in the process of buying the Animal, finally...
Thanks for the kind advices.
I got my synths repaired then sold the SH-101, the 606, the SH-1000 and even the TR-77. Traded the SEM for a Polysix that I'm about to sell. And I will sell the XT in 3 weeks. Kept the Micromoog and the Minikorg 700.
Now I will have to control the Serge from my Kenton Pro-Solo mkII. I guess I should I get a 1/8-to-banana connector, right? I should also find a way to ground it. And I will need some banana cables.
Any recommendation where to get those things?
Thanks again! |
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aethersprite Wiggling with Expedience
Joined: 27 Jul 2010 Last Visit: 20 Jun 2013
  Posts: 1007 Location: California
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Posted: Wed Apr 18, 2012 3:12 pm Post subject: |
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Testpath for Pomona bananas  |
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noobyscooby Super Deluxe Wiggler
Joined: 24 Nov 2009 Last Visit: 20 Jun 2013
   Posts: 1332 Location: Edmonton AB. Canada
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Posted: Wed Apr 18, 2012 3:36 pm Post subject: |
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No, being in Canada go with Mouser. Free UPS expedited shipping over $200 and they pay all fees. I once ordered on an afternoon and had my order the next morning. No customs, brokerage, shipping etc.
$200 should get you 30-40 cables depending on length. Perfect maximum amount for an Animal.
Last edited by noobyscooby on Wed Apr 18, 2012 4:31 pm; edited 1 time in total |
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monstrinho Super Deluxe Wiggler
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 Posts: 1079 Location: mundo afora
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Posted: Wed Apr 18, 2012 3:39 pm Post subject: Re: Serge + Other synths :: a very subjective question |
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| Scories wrote: |
So here's my [very subjective] question : From all the synths above, if you had just one to keep, which one would it be and why?
I'd be curious to get some 2nd opinions...
Thanks!! |
To be honest, Serge just wipes the floor with all of the stuff you listed. No contest, really. For my tastes, I'd keep the Microwave XT, but you've already said you think it sounds "too digital" so...
Anyway, I have to say, once you get a Serge you'll forget why you were even asking this question. |
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richard bananaphile
Joined: 14 Mar 2009 Last Visit: 19 Jun 2013
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Posted: Wed Apr 18, 2012 4:16 pm Post subject: |
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That is outrageously elitist. Just because Serge does actually sound better, doesn't mean you are allowed to say it out loud. Especially here. What kind of place do you think this is? _________________ WTB (EU) Ciat Lonbarde Plumbutter
stuff: http://richard-scott.net
sound: http://richardscott.bandcamp.com/
vision: http://vimeo.com/richardscot/videos
| moogboy wrote: | | You've just made me want to experience a grumpy hedgehog |
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confusional Ultra Wiggler
Joined: 28 Apr 2009 Last Visit: 19 Jun 2013
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Posted: Wed Apr 18, 2012 4:41 pm Post subject: |
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You guys have been chuggin' the kool-aid to the point of squirting snake oil from your hind quarters. This is hardly in the spirit of the original design. Repent! Repent! I tell you! At the very least, DIY your own power supply and rack ears. It's the only way to save your soul.  |
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monstrinho Super Deluxe Wiggler
Joined: 17 Nov 2011 Last Visit: 19 Jun 2013
 Posts: 1079 Location: mundo afora
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Posted: Wed Apr 18, 2012 4:45 pm Post subject: |
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| richard wrote: | | That is outrageously elitist. Just because Serge does actually sound better, doesn't mean you are allowed to say it out loud. Especially here. What kind of place do you think this is? |
Mea culpa mea culpa mea maxima culpa.
In my defense, however, I am American. They just don't teach us etiquette over on these shores. |
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noobyscooby Super Deluxe Wiggler
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Posted: Wed Apr 18, 2012 4:56 pm Post subject: |
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If you have the time to do some searches, there are pages and pages, topic after topic, of the past on this forum that will delight you. |
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Scories Wiggling with Experience
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Posted: Wed Apr 18, 2012 8:07 pm Post subject: Re: Serge + Other synths :: a very subjective question |
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| monstrinho wrote: | | Scories wrote: |
So here's my [very subjective] question : From all the synths above, if you had just one to keep, which one would it be and why?
I'd be curious to get some 2nd opinions...
Thanks!! |
To be honest, Serge just wipes the floor with all of the stuff you listed. No contest, really. For my tastes, I'd keep the Microwave XT, but you've already said you think it sounds "too digital" so...
Anyway, I have to say, once you get a Serge you'll forget why you were even asking this question. |
The Micromoog with the bass mod sounds dirty and bassy as it can gets. If I decide to sell it, then the Animal must be awesome.  |
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Nils Veteran Wiggler
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Posted: Thu Apr 19, 2012 12:25 am Post subject: |
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I fail to see Serge as a replacement for something like the Micromoog. It does its own thing - outrageously well, yes - but to me an instrument is all about character and interface, not what it does better than other instruments.
The MiniKorg is a great example because despite being radically different from Serge, its character and interface is equally unique, probably one of the most characterful serial production synths ever built imo.
If the Serge does lead you to sell "everything else", it's because you'll get completely immersed in it, not because it replaces something else
All imho, of course...
EDIT: Congrats on the Animal!  _________________ soundcloud |
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Scories Wiggling with Experience
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Posted: Thu Apr 19, 2012 10:56 am Post subject: |
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| Nils wrote: | I fail to see Serge as a replacement for something like the Micromoog. It does its own thing - outrageously well, yes - but to me an instrument is all about character and interface, not what it does better than other instruments.
The MiniKorg is a great example because despite being radically different from Serge, its character and interface is equally unique, probably one of the most characterful serial production synths ever built imo.
If the Serge does lead you to sell "everything else", it's because you'll get completely immersed in it, not because it replaces something else
All imho, of course...
EDIT: Congrats on the Animal!  |
Thanks for validating my choices!
The Micromoog is king as bass-heavy ring-modulated low dirt and the Minikorg is a real expressive musical instrument that can create the most beautiful flutey leads. With the Serge and the Cocoquantus, the vibes... I should be able able to create wonders... otherwise I'll retire from music!
The only last detail would be to choose the best way to control the serge; tkb, sequencer pannel, midi via Kenton or with a Cirklon... Then I will cancel my internet connection and concentrate on music.  |
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Nils Veteran Wiggler
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Posted: Thu Apr 19, 2012 3:01 pm Post subject: |
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| Scories wrote: | The only last detail would be to choose the best way to control the serge; tkb, sequencer pannel, midi via Kenton or with a Cirklon... Then I will cancel my internet connection and concentrate on music.  |
The control options you mention differ widely in price, I guess that might be a decisive factor?
That said, I recently became aware of how incredibly different the Serge sounds when controlled from different sources. A traditional keyboard (you can use the Miromoog), a MIDI based step sequencer, or on autopilot (triggering itself, you can create a pseudo-sequencer within the Animal panel, or just let it drone).
I don't have an analog sequencer yet, I guess that will yield radically different results from all the techniques I've tried. _________________ soundcloud |
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Scories Wiggling with Experience
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Posted: Thu Apr 19, 2012 9:00 pm Post subject: |
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| ...and if I was better at soldering, I could get a SWAMP. |
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