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Anybody using an Octatrack with his modular?
 
 
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Author Anybody using an Octatrack with his modular?
READYdot
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PostPosted: Tue Mar 20, 2012 1:08 am    Post subject: Anybody using an Octatrack with his modular? Reply with quote Add User to Ignore List

So I've been eyeing at that machine. The more I hear and the more I read, the more I want it. I'd always hoped that sampling to the computer was an easy task and could be flexible. But what I see being done with an Octatrack, makes me think that it is the ultimate machine to pair my modular with. I often use the patches I do directly in a track, but once recorded the process of making something out of the sample is workintense and not very intuitive. Now with the Octatrack I totally see all those possibilities of sampling the modular, tweaking the sample, making a new patch on the first sampled one, and wreaking havoc...

So anybody having some experience!?

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Pascal
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PostPosted: Tue Mar 20, 2012 3:56 am    Post subject: Reply with quote Add User to Ignore List

I haven't use it yet to sample the modular, simply processing samples and add things to whatever I am doing, very flexible machine as all Elektron gear, don't like working with computers, main reason I bought this.

here is a track made with Octatrack and Phonogene

[s]http://soundcloud.com/mododd/midnight [/s]
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Mercutio
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PostPosted: Tue Mar 20, 2012 4:40 am    Post subject: Reply with quote Add User to Ignore List

Extra ! thumbs up
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PostPosted: Tue Mar 20, 2012 8:53 am    Post subject: Reply with quote Add User to Ignore List

i been on the hunt for an OT for a few weeks now so i can do live work without relying on on-the-fly-sampling into a laptop running ableton. OT seems the perfect solution to build a loop, sample and leave it run, patch a new loop and layer on top to build a tune progressively...
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PostPosted: Tue Mar 20, 2012 1:03 pm    Post subject: Reply with quote Add User to Ignore List

i've been wondering about this, too - can i sequence my modular with an octatrack?
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PostPosted: Tue Mar 20, 2012 1:11 pm    Post subject: Reply with quote Add User to Ignore List

I've seen people clock the modular with a pulse sample out of one of the Octatrack outs. Sequencing would require midi to cv?
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PostPosted: Tue Mar 20, 2012 4:06 pm    Post subject: Reply with quote Add User to Ignore List

^ sequencing requires midi to cv.

Ive been working with the OT since its release off and on, I bought it to use with the modular primarily. Here's a track live sampling the modular:

[s]http://soundcloud.com/tib/those-who-wait[/s]

You can definitely sample the modular and get something else going, you can make something out of almost nothing with the OT if you wish to. The bad points are that sample recording time is currently limited to 16 seconds, so if you want to work with longer samples you still nee a computer- it can stream very big files, but not record them as yet. The interface (and the machine in general) imo is a bit fussy- theres a lot to remember and it isnt as intuitive to me as the MDUW or MNM. YMMV there though plenty of others seem to share that opinion. Its a million times better now than it was a year ago, and it is improving too... its not perfect though if you like live sample manipulation and have the patience to learn it then you will be alright I think.

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PostPosted: Tue Mar 20, 2012 4:46 pm    Post subject: Reply with quote Add User to Ignore List

Nice work tIbs,Pascal.

Right, thats it, I'm taking the OT away with me tomorrow. Its stupid that I have one and it just site in the box! Going to make a concerted effort to use it more. Funny, I've never really ever considered selling it despite it getting the least use of anything else I have in the studio.

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PostPosted: Tue Mar 20, 2012 5:41 pm    Post subject: Reply with quote Add User to Ignore List

I use the OT with a Cwejman S1 MkII. Thanks to its built-in MIDI-CV-Interface, and thanks to the OT itself I can…
…play the S1 in realtime (using the trig buttons as keyboard)
…record this
…step-sequence the S1
…treat the S1 with effects
…sample the S1 & manipulate the samples
…prelisten to the S1 (e.g. to setup a new sequence) via OT headphone while using the OT main out to playback an already recorded sequence

No need for a separate mixer, separate fx boxes, separate step-sequencer, separate sampler. It is awesome, but I really have to concentrate in order to not loose track of what I am doing and where I am in the OT (as I am red-green-blind, the OT's usage of red-green-yellow LEDs is a bit of a pain). I have to practise a lot with this setup, but it is absolutely worth it.
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PostPosted: Tue Mar 20, 2012 9:20 pm    Post subject: Reply with quote Add User to Ignore List

sersch wrote:
I use the OT with a Cwejman S1 MkII. Thanks to its built-in MIDI-CV-Interface, and thanks to the OT itself I can…
…play the S1 in realtime (using the trig buttons as keyboard)
…record this
…step-sequence the S1
…treat the S1 with effects
…sample the S1 & manipulate the samples
…prelisten to the S1 (e.g. to setup a new sequence) via OT headphone while using the OT main out to playback an already recorded sequence

No need for a separate mixer, separate fx boxes, separate step-sequencer, separate sampler. It is awesome, but I really have to concentrate in order to not loose track of what I am doing and where I am in the OT (as I am red-green-blind, the OT's usage of red-green-yellow LEDs is a bit of a pain). I have to practise a lot with this setup, but it is absolutely worth it.


That's the same as how I use it, except for the colour-blindness thing. I use it to control my Eurorack system via a K1600 so I can output two sets of CV Gate and have four triggers for controlling Tiptop 808 modules.

With these two I've got a complete setup capable of doing whatever I want for live shows and I've found myself using it as is in the studio as well as it's such a nice complete instrument.

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PostPosted: Tue Mar 20, 2012 9:57 pm    Post subject: Reply with quote Add User to Ignore List

I bought my OT to sample patches and loops from my modular. Would be nice to have more than 16 seconds but I have gotten some nice snippets in real-time, used FX and then sliced and re-sequenced.

Still learning and getting things down and having an MD and MNM made things harder as the OT is a totally different beast. Hardest part for me was disassociating habits from other elektrons and understanding patterns/parts and saving.

Also having tons of fun just using the thru machines for processing.

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PostPosted: Tue Mar 20, 2012 10:55 pm    Post subject: Reply with quote Add User to Ignore List

tIB wrote:
sample recording time is currently limited to 16 seconds, so if you want to work with longer samples you still nee a computer- it can stream very big files, but not record them
Also, saving your recorded samples isn't really something I want to do on the fly.

Keep in mind you have 8 audio tracks and each one can only play one sample at a time. I think the OT is the best thing ever, but it's nothing like Live, which is a good thing in my book!

The OT is okay for editing large audio files, once you've transferred them, but I'd choose a computer or MPC if wanted to do goal based editing rather than play or experiment based editing.
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PostPosted: Wed Mar 21, 2012 10:57 am    Post subject: Reply with quote Add User to Ignore List

Ok, that sounds just like it's up my aisle. I'm getting a MDUW first, have got a MnM on the line, and the OT will be on the list when I'm half way through with the other two beasts. 16 seconds sounds like enough to me. Why would that not be enough? The Amen Break is 5.2 seconds... hihi
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PostPosted: Wed Mar 21, 2012 11:00 am    Post subject: Reply with quote Add User to Ignore List

READYdot wrote:
Ok, that sounds just like it's up my aisle. I'm getting a MDUW first.


I've seen it successfully argued the other way, but I personally find a HUGE overlap between the OT and the MDUW. Almost to the point where I barely use my MD.
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PostPosted: Wed Mar 21, 2012 2:25 pm    Post subject: Reply with quote Add User to Ignore List

^ some related thoughts of mine on that here from another forum:

Quote:
I tried living without an MDUW after I bought the OT, I didnt last long. Whilst I get frustrated by the sequencer Id rather deal with the workarounds I use for that than with samples in the OT. I really missed the sound design on the MD- its just a really quick way of working once you know it. The OT is somewhat of a memory test, far less instant than the MD to me, though far more powerful. I had a real love/hate thing with it, which I suspect is turning into ambivalence- Its a good machine but doesnt really fit my way of working... and I continue to hit walls with it. Out of the two Id sell my OT before my MDUW, though only because I tried and failed without the MD before. If you can work with the OTs way of doing things it has a ton of power, remains to be seen if I can or not really.


I went on...

Quote:
The OT in many ways is an extension of the UW side of the MD- I just find it more fussy to work with. The sequencer is better though and the filter is brilliant... its just not as intuitive for someone who is used to the elektron way- it doesnt really feel like an elektron machine, though that is improving...

The OT is way better now than it has been, I just struggle with it- one step forward 3 back. Its powerful though, you should check out the current elektron users science lab thingy here (which is the source of my frustration with the damn thing today): http://elektron-users.com/index.php?option=com_fireboard&Itemid=28&fun c=view&catid=15&id=171334#171334

2 seconds of white noise is the only sound source on the tracks there- impressive stuff.

Oh and Id find it hard to recommend the MDUW over the OT, its just I really missed it when it wasnt around- it just works for me.


Since then Ive done some more with the OT and continue to share the same thoughts really- its good but fussy.

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PostPosted: Wed Mar 21, 2012 3:39 pm    Post subject: Reply with quote Add User to Ignore List

Well, anyways, these machines are easy to resell, I rarely see them last longer than a week on Sale.
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PostPosted: Wed Mar 21, 2012 3:56 pm    Post subject: Reply with quote Add User to Ignore List

Prices have tanked recently. We're seeing sub 800 MDUW and 1100 for an OT. Both of those made me reconsider ever offloading mine. They've lost the "well I can always sell it for 75-80% what I brought it for mentally that many module have"
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PostPosted: Tue Apr 10, 2012 3:03 am    Post subject: Reply with quote Add User to Ignore List

What's about your NI Maschine based setup I have seen on the Happy Knobbing Festival last year?
I remember I was realy impressed to see how you worked with it. hmmm.....
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PostPosted: Sat Apr 14, 2012 9:23 am    Post subject: Reply with quote Add User to Ignore List

Pascal wrote:
I haven't use it yet to sample the modular, simply processing samples and add things to whatever I am doing, very flexible machine as all Elektron gear, don't like working with computers, main reason I bought this.

here is a track made with Octatrack and Phonogene

[s]http://soundcloud.com/mododd/midnight [/s]


wow awesome track
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PostPosted: Sun Apr 15, 2012 1:58 pm    Post subject: Reply with quote Add User to Ignore List

Pascal wrote:


here is a track made with Octatrack and Phonogene

[s]http://soundcloud.com/mododd/midnight [/s]


Great track!
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PostPosted: Sun Apr 15, 2012 2:13 pm    Post subject: Reply with quote Add User to Ignore List

So happy I did not buy one of these. MD is kool, MM meh and Octatrack seems to have way to many limitations that would drive me nuts like the sample length limit...come on its 2012 and this is the best we can get? I'm hoping korg puts out a esx2 and gets it right. These are just my opinions and hope I have not offended anyone here.
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PostPosted: Sun Apr 15, 2012 11:13 pm    Post subject: Reply with quote Add User to Ignore List

mecanikill wrote:
So happy I did not buy one of these. MD is kool, MM meh and Octatrack seems to have way to many limitations that would drive me nuts like the sample length limit...come on its 2012 and this is the best we can get? I'm hoping korg puts out a esx2 and gets it right. These are just my opinions and hope I have not offended anyone here.


16 seconds seems like a pretty long sample if you consider that the Octatrack is mainly a groovebox. each sample burst is meant to be a musical phrase or bar, not an entire verse, right? I mean, anything longer than 16 seconds isn't really a groove sample anymore. and isn't that what the Static Machine feature is for anyway? it can read much longer files and stream directly from the cf card. (sorry I don't actually have an Octatrack, just researching right now)
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PostPosted: Mon Apr 16, 2012 12:49 am    Post subject: Reply with quote Add User to Ignore List

You are missing the point of having longer samples Bouzou, it would be great to sample a minute of vinyl and chop it up in the octa to re arrange it!!

The octa is a sampler here and the machinedrum is more of a groovebox!

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PostPosted: Mon Apr 16, 2012 12:56 am    Post subject: Reply with quote Add User to Ignore List

One thing to consider with the 16 second limit is that the OS isn't finished yet...
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PostPosted: Mon Apr 16, 2012 2:15 am    Post subject: Reply with quote Add User to Ignore List

Boelie035 wrote:
You are missing the point of having longer samples Bouzou, it would be great to sample a minute of vinyl and chop it up in the octa to re arrange it!!

The octa is a sampler here and the machinedrum is more of a groovebox!


if you're just going to bring in a long track only to be rearranged anyway, what's the difference in just cutting it up on the computer and just importing it in already modular chunks that can be played in sequence AND rearranged?

I think I would love long samples too, but it seems it's not really a dealbreaker to me, considering all the other things it can do well. the power of the Octatrack I think is the realtime groovebox playable quality. it's not really meant to be a super industrial strength editor (especially with that tiny screen -- imagine editing a long long sample with that. the waveform would be undiscernable). major editing should be done on a computer, no? maybe you're just asking for too much... seriously, i just don't get it
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PostPosted: Mon Apr 16, 2012 8:28 am    Post subject: Reply with quote Add User to Ignore List

I enjoy having long vocal samples from movies in my music and that's a deal breaker for me. How long has it been out now? They still have not finished the operating system on it...and let's not forget the 4 bar limitation either. Elektrons build of the MnM and MD were crap too the pots were the worst I have ever used on a machine and came loose real quick and had to be repaired numerous times and I could not stand the clanky buttons that didn't grip and made a click everytime I hit them. Glitterati...
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PostPosted: Mon Apr 16, 2012 9:04 am    Post subject: Reply with quote Add User to Ignore List

The state of the OS on release was poor to say the least- its gotten a lot better and I believe it will continue to do so. But yeah, its been around over a year now without some of the initial advertised functions.

Id say the 4 bar length is much less of a problem on the OT since you can lower the clock speed on individual tracks- setting at 1/8th of clock speed is going to give you 8x more length on that track, which is fine if you are triggering a longer sample and not fine if you want tighter control over events.

If you dont like the elektron build quality then the OT wont convert you.

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PostPosted: Mon Apr 16, 2012 9:11 am    Post subject: Reply with quote Add User to Ignore List

And just to make it clear, the 16 second limit is the current recording limit. Samples transferred by usb can be pretty much as long as you like, only limited by the size of your card.

Re the 16 sec recording limit, I think tIb is right in emphasizing that the OS isn't finished yet.
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PostPosted: Mon Apr 16, 2012 10:10 am    Post subject: Reply with quote Add User to Ignore List

I enjoy using my modular as a constant sound source and feed the streaming audio into the Octatrack. I do gate & defect sequencing from there. Super simple and crazy tight with the rest of the mix.

If you'd rather clock your modular's sequencer to the 8T (without the aforementioned midi/cv interface) you can send a sharp ping out of the cue out and get your clock from there. It's a little sloppier however.

Modular + 8T = win! we're not worthy
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PostPosted: Mon Apr 16, 2012 12:20 pm    Post subject: Reply with quote Add User to Ignore List

I'm not saying I'd hate the ability to have longer samples, but on the other hand I think Elektron might have done this on purpose to make a sampler you have to play.

I mean, you can set up one shot record trigs on multiple tracks and arm them one after another to get longer semi-continuous sample time. Or set up sequences of different lengths to work in a more automated fashion. From my perspective this encourages happy accidents. And my feeling about happy accidents is: "I live for this shit".
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PostPosted: Mon Apr 16, 2012 10:48 pm    Post subject: Reply with quote Add User to Ignore List

The manual blows.
There are things that I'd change with the sampler. Hopefully they'll improve with the next OS update.
Loooong learning curve.

That said it's been a crazy addition to the modular. I started out mangling samples and only recently started into the midi sequencer. Here's a quick demo featuring the OT sequencing three modular voices via a vermona qmi midi-cv interface. Drum dokta clocked with the OT midi clock through a timetable for the drum sounds.

[s]http://soundcloud.com/fredguy-1/octa-midi[/s]

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