acgenerator wrote: ↑

Sun Feb 21, 2021 7:59 pm

I use the magical Muffwiggler search function to see if this question was asked a billion times already. (hint: it has)

mines standing... i just grouped things into different sections, like i have the drums top left, synths top right, filters lower left, utilities/overflow bottom right and the long thin case along the bottom is a control/output section. I previously would group things so in my typical patch the cable...

dangayle wrote: ↑

Sun Feb 21, 2021 3:02 pm

IEC wrote: ↑

Sun Feb 21, 2021 5:53 am

i normally tilt my pelvis so one cheek lifts up (if im sitting)

What if you thought was just going to be noise turns out to be... more solid?

i guess then i can say i finally have a solid release under my belt?

i normally tilt my pelvis so one cheek lifts up (if im sitting)

congrats when i finished my rack it felt weird and i immediately sold a bunch of things! permanent work in progress now...

my favs are studio electronics oscillation and the erica black vco. though i have not tried spectrum and have never met a WMD module that isnt excellent...

no worries I highly recommend the vendor too the fast shipping is usually pretty cheap and well worth the few extra $

all my cables have sequential serial numbers of course. I *may* have put them there myself but thats besides the point.

i nearly always put a 24 dB/oct hipass when mastering @20 Hz too

sure why not
i have multiples of all my oscs

where does the noise come from? I have never noticed it...

i use two WMD compressors as limiters on my sub bass channels... they get passed through a several resonant filters and phasers under lfo control so the potential is there to accidentally send out some toasty boosted freqs when messing around with the controls... the limited signal often sounds nice...

Intellijel are really good, someone sold me a borked secondhand metropolis, i left it sitting around for over a year or so before getting around to calibrating it and thus realising it was actually fcked. by this point of course the manufacturer had no obligation to help at all, and I have had other...

Thanks, I hear what you are saying that one has a nice vocalish bleeps and bloops going on, didnt manage to preserve that aspect as I changed the patch sadly but thats life!

Reminds me of lusine a bit, who is mostly classed on beatport as the extremely unhelpful "Electronica"

I don't know, but it's no insult. You used some really nice sounds, clean with very deliberate timbral variation, was a good listen. Very happy that some people have enjoyed it, I will be the first to tell you that its not really that great, but I am just trying to be better than I was yesterday, n...

Kattefjaes wrote: ↑

Mon Jan 18, 2021 7:33 am

Fashion be damned, make the music that you want to hear. Nice work BTW, some of the timbres are quite Kraftwerk-y, but it has definite breaks energy

Thanks, have to admit I have never listened much to Kraftwerk! Perhaps they used some similar hardware to what has been cloned in my rack?

... i feel attacked

one more track then im switching genres to drum n bass or something

i was just sidechaining some thing today and checked the gain reduction ... was peaking around -20 db, just for your interest i think thats probably about the average that i use

ah yeah, i wondered later if a quantiser would be the best way to do this, so the notes were within a familiar range... thanks

interesting, do you record the modular part and overdub the piano later so you know what is going on beforehand? Or perhaps the generative part is somehow predictable? Or are you just winging it and hoping for the best?

sounds sweet! usually piston honda is code for turn your monitors right down, nice to hear something that doesnt sound like a slow motion mechanical failure coming out of one