VCOs, LFOs and VCAs are actually what you want to focus on. First of all, VCOs are not only sound sources but audio rate modulators as well. Welcome to the world of analogue FM and its wondrous textures.... LFOs because hell yeah, you gotta modulate the hell out if everything for your intended purpo...

Electro Something wrote: ↑

Fri Dec 18, 2020 2:50 pm

flament wrote: ↑

Fri Dec 18, 2020 12:07 pm

If you want a gain of 1 (unity), you should have for exemple zadar level channel set at 5 volts and veils set with a linear response curve, offset at 0 and slider fully up.

Ahhh there's my problem - I have my Zadar at the max 10V. Thanks!

Then you lower the fader on veils....

That mixer is the perfect concept and design, let down by shitty built, cheap parts and awful drivers. I wish they would upgrade it, considering how they updated their built quality recently. Aaaaaanyway, back to their VCS3, so what width are we dealing with here concretly? It's smaller but I can't ...

DADOODEEDADOODAAAAAH, DODADUUDEEEE DADOODAAAAH!

So many 90s romplers to investigate. .

False equivalence, but I get your point. To be honest, I've seen vastly different circuits having closer sonic similarities than actual copies with a few adaptations. Some digital emus are a good exemple of this as well. I am not saying that it would be the case in this present situatiin (EMS synths...

I agree with the Yamaha HS range. The best I've seen at this price range, but keep in mind that whatever you go for, 8inch drivers are a must. You can't appreciate a moog bass on anything less than that. Size matters... There is also a handy looking matching powered sub that can be added later if n...

various incarnations of MS20s.

I agree with the Yamaha HS range. The best I've seen at this price range, but keep in mind that whatever you go for, 8inch drivers are a must. You can't appreciate a moog bass on anything less than that. Size matters...

Instead of sending pulses to Elements you can send directly 5V to the Gate input with the Contour pot fully CW. Now you have a continous orchestral generator which can be modulated in real time. Anyone using it like this? :bananaguitar: It's an amazing drone machine, so yes indeed. I often do that ...

This is going to change my plans for completing my row of MI modules. I had planned to add Warps and Stages, but it looks like I will want to get this instead of one of those. Any suggestions on whether Warps or Stages would be the one to add to this row? Braids-Rings-(Clouds 2)-Veils-Ripples-Shade...

Just bought a prophecy for 199€, not sure how good / bad a deal it is, but I'm liking it so far! good deal I'd say. hhhhhaaaaaaaa the prophecy... the hot property of 1996.... just don't limit it to ''smack my bitch up''.... it can do some amazing stuff and is unequalled.... I wish Korg would do an ...

That's hardcore nitpicking there...

I've got/had all the possible ms20 versions and definitely agree.

All good! And yes, the ms10 and mini are a killer combo.

Ah! No, we are talking about the limited edition desktop. From a few years ago, which included a few mods already made, facilitates the possibilities of other mods, switch for the two filter revisions, hz/oct as well as v/o, and other goodies. The ultimate MS in my book (I have/had all the other ver...

It's on the MS20m, not the standard ms20...
But it's an easy mod to do. Google it and warm up that soldering iron.

Softube WEISS is amazing...

I recently acquired a DRM 16 after years of hunting, and I know it is possible to add a clock out, as on some of its siblings (mine has the bass out and the two normal outputs). Anyone did it? Share your infos and experience, wigglers. Thanks.

anselmi wrote: ↑

Sun Jan 17, 2021 3:54 pm

Chopper wrote: ↑

Sun Jan 17, 2021 1:40 pm

Doing the OSCs outs on mine was definitely a plus. As for patch idea, well, FMing the filters obviously

this!

also PWM and sync

Osc as a source to modulate everything!
If you mean doing the PWM and sync mods, those are already present on the MS20m, by the way.

Osc out to cutoff in. Either the low pass or high pass. Usually I use the second osc and turn its volume down on the mixer, but that's me. Or osc out to the general modulation in, in order to replace the internal patching from the LFO.

Doing the OSCs outs on mine was definitely a plus. As for patch idea, well, FMing the filters obviously

The manual mentions a blue revision clone with real spring. Don't have a link to it but it was mentioned on Gearslutz. Not that it gives it any credibility at all...

This defy the point of modular synthesizers in my book. It's not a shelf where you screw in . Ready-maed insteuments, but various simple modules/building blocks. You can easily make your own with a few modules . That is the whole point of modular synthesisers....
but then again YMMV and all of that...