stromcat wrote:aka 'british chris elliott

Moderators: Kent, luketeaford, Joe.
stromcat wrote:aka 'british chris elliott
Yeah exactly. It's a labour of love even just doing one a month - it most certainly doesn't pay for itself yet(!) As I said before, I'm just really enjoying the conversations so I'll keep on keeping on.pines wrote:Thanks for doing these. It’s a lot of work to produce a podcast, and the compensation isn’t exactly commensurate with the time commitment. It’s really interesting to hear from the folks in the trenches. My opinions about certain designers, and their modules have evolved dramatically after hearing them talk. Keep them coming
Thanks. Yep that's exactly my plan - have a manufacturer, then an artist, then a manufacturer - tricky depending on availability (some are really hard to pin downwhinger wrote:I really enjoyed the new format and found it very compelling. Maybe that's something to consider, alternate between manufacturers and artists?
I totally understand what you're saying, but when I am compiling a list of people I think would be interesting guests, and I can quite easily rattle off 50 white men off the top of my head, but in the other column, I can come up with perhaps 10 women off the top of my head, and then need to actively google lists of women in electronic music, and to find that only a tiny handful of these women are in the UK, you realise that there is a problem that is only going to be solved through conscious effort.vonstirlitz wrote:I would say one thing though, that you should be a bit careful about the choice of deliberately seeking out women or non-binary musicians. I only say that, as although I understand the desire, and agree generally, it does risk putting politics before content. It also risks creating a ghetto, by defining interviewees by reference to gender, rather than as simply musicians or makers.
That is literally what I want to try and do as well.vonstirlitz wrote: Also, do you then need to worry that the industry is under exposed to Asians, or people of African heritage, and then need to address this too?
I don’t think that it is a bad idea to search for folks outside of the western mainstream of gender and ethnicity who are involved in electronic music… and other fields as well. I give an elective course covering the intersections of Music, Architecture, and Technology, at New York Institute of Technology, where I am a full time professor of Architecture. I just started it a couple of years ago. I have been involved with electronic music for a long time. So in the first semester, when we got to the mid Twentieth Century, I just used my experience and accumulated knowledge to put together my lecture and listening session on electronic music. I covered the usual bases of Cage, Stockhausen, Louis Barron, Pierre Schaeffer, Xenakis, Subotnik, and so forth. Women were represented by Wendy Carlos, Suzanne Ciani,Pauline Oliveros, Bebe Barron, and Delia Derbyshire. I thought that I was being pretty inclusive, but felt that I should research more as I had classes with at least 50 percent women. The women were really interested in doing more research on their own, as they had no idea that these women existed. By the second semester i had added Elaine Radigue, Else Marie Pade, Johanna M. Beyer, and Daphne Oram. I had not heard of some of these women, and now they are among some of my favorites, especially Elaine Radigue. As for folks outside of America and Europe, I have only recently discovered Halim El-Dabh, an Egyptian, who was doing really interesting stuff with wire recorders in the 1940’s. There is a whole lot more. This is just the music side of things, we are also looking at architectural and hard technology development as well. Things get deeper and more interesting the farther that you dig. We do need to keep ourselves aware of the fact that women and non-western people have been engaged and productive in these pursuits all along. They were just not all that visible.All guests appear due to their merit. But the risk is in how easily it will happen that I allow the opinions of only one gender to be heard, ignoring half the population of the World.
Thanks for the recommendations!pines wrote:I don’t think that it is a bad idea to search for folks outside of the western mainstream of gender and ethnicity who are involved in electronic music… and other fields as well. I give an elective course covering the intersections of Music, Architecture, and Technology, at New York Institute of Technology, where I am a full time professor of Architecture. I just started it a couple of years ago. I have been involved with electronic music for a long time. So in the first semester, when we got to the mid Twentieth Century, I just used my experience and accumulated knowledge to put together my lecture and listening session on electronic music. I covered the usual bases of Cage, Stockhausen, Louis Barron, Pierre Schaeffer, Xenakis, Subotnik, and so forth. Women were represented by Wendy Carlos, Suzanne Ciani,Pauline Oliveros, Bebe Barron, and Delia Derbyshire. I thought that I was being pretty inclusive, but felt that I should research more as I had classes with at least 50 percent women. The women were really interested in doing more research on their own, as they had no idea that these women existed. By the second semester i had added Elaine Radigue, Else Marie Pade, Johanna M. Beyer, and Daphne Oram. I had not heard of some of these women, and now they are among some of my favorites, especially Elaine Radigue. As for folks outside of America and Europe, I have only recently discovered Halim El-Dabh, an Egyptian, who was doing really interesting stuff with wire recorders in the 1940’s. There is a whole lot more. This is just the music side of things, we are also looking at architectural and hard technology development as well. Things get deeper and more interesting the farther that you dig. We do need to keep ourselves aware of the fact that women and non-western people have been engaged and productive in these pursuits all along. They were just not all that visible.All guests appear due to their merit. But the risk is in how easily it will happen that I allow the opinions of only one gender to be heard, ignoring half the population of the World.
That's fantastic to hear. Keep the discipline and you will reap the benefits for sure!! Just looking back many years down the line can be revelatory! :-)kenosis wrote:As a result of the Scanner interview, I have now decided to be more strict with journaling, and applying these thoughts and ideas to my patching. Awesome podcast and interview!