Enigma sounds incredible, can't wait

Moderators: Kent, luketeaford, Joe.
Oh, I get what you're saying now.mcpepe wrote:I know the low pass gate affects the vca and the filter, but I can multiple the envelope from Hemisphere to modulate my vca and my filter.
Maybe I did not formulate my question correctly. What I am asking for is only an envelope, maybe with only one paremeter (decay), that emulates the curve of acoustic instruments.
A place to start digging could be the Plaits or Streams source. Neither will be immediately useable since the former uses float, but the latter might just need rebuilding the LUTs and extracting of the relevant parts (although it might be easier to reimplement).chysn wrote:I don't have the mathematical background to model the decay of vactrols or plucked instruments.
It's interesting. The algorithm is the secret sauce, of course. It doesn't sound like purely random notes.jonkers303 wrote:Something that would be really cool as an applet would be a random acid pattern generator.
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I have no idea how complex the algorithm would have to be to generate musical results thou.
Cool! Who needs Yarns?dianusindustrial wrote:Just wanted to share a cool Hemisphere experiment I tried today. I've been wanting to test out TheSlowGrowth's VCO tuning app (https://github.com/TheSlowGrowth/VCOTuner) for a while now but I don't own a midi->cv module. Up until now I've been thinking about grabbing a Yarns or something similar but then I had a thought, hmmn I could probably do this with Hemisphere! I tried it out today and it works great! I was able to tune a couple of my oscillators so now they all track 1v per oct very accurately. Give it a shot!
Hey, Luke, I distribute the firmware in flipped and unflipped versions. Make sure you get a file that doesn't say FLIP180.Patch77 wrote:Hi wiggles,
Ive just flashed hemisphere and the screen came out upside down.. wasn't so in OG firmware.
Any help?
Yes, please! That would compliment the evolving randomness of the turing machines nicely!jonkers303 wrote:Something that would be really cool as an applet would be a random acid pattern generator.
That generates simple randomized 16 step (or so) acid lines with slides and all at the push of a button. With CV and gate out.
Would be a unique functionality in eurorack I think?
There's no option to control the density/number of slides for random pattern generation, it's just assigned for each step when you push the RND button. However it is possible to set all notes to slide or to set it to a random chance of sliding on each new step, as a separate function to the random sequence generator.mazzyboy wrote:Yes, please! That would compliment the evolving randomness of the turing machines nicely!jonkers303 wrote:Something that would be really cool as an applet would be a random acid pattern generator.
That generates simple randomized 16 step (or so) acid lines with slides and all at the push of a button. With CV and gate out.
Would be a unique functionality in eurorack I think?
FYI - I think you can kinda do this with erica's Pico SEQ. You can choose how many octaves to cover and what scale to work in, then press randomise. Don't think you can control density or number of slides though?
I use a slew limiter, a VC switch and a trigger/gate sequencer to do this by switching between the original and the slewed cv - but you just gave me the idea to use branches between the gate and the switch to add probability. Could be fun!chysn wrote:There are already a zillion ways to generate random melodies. It sounds like what the world needs is a slew sequencer. On each clock pulse, a different slew rate could be applied, with the option to randomize the sequence.
Or a single rate, but with probability-based sliding. A Turing Machine, but for slew!
Thanks, fixed! The forum software molested my URL.bemushroomed wrote:That page is a 404 though..
That's my West Coast bias showing, I guess. I almost always trigger envelopes rather than gate them.bemushroomed wrote:Why not have gate outs for Darkest Timeline so that we can trigger a synth voice properly using these outs?
Enigma has both trigger and gate output types. For the gate type, the gate goes high when the low bit is 1, and stays there until the bit becomes 0.I tried some other ones (Engima + a few more) and trigger outs seems to be the choice? Seems a bit useless to me except if you want to use them to trigger e.g drum modules. But there are better algos for that purpose i think.
Yes indeed, thanks!aaooaa wrote:
So I think I've got a bug but it's my first time using Hemisphere so I might be wrong. When using Enigma Jr in the right Hemisphere the register is displayed on the left hand side and covers whatever is loaded there. Seems to work fine when using it on the left though.