I think in a larger system the Sinfonion shines. It's by no means absolutely necessary. But even as a utility it's worthwhile. Having all or at least most sequencers quantized by one modular helps tighten things up a bit. That said I'm not a stickler for tuning so to some degree it's lost on me. Ha but I do like having a module for chord generation, even if it's not used to created chords in the traditional sense. Meaning it's controlling the harmonic relation ship between voices. Having additional channels to quantize mono channels, and arpeggiator channel make it worthwhile to me, because it's my one stop shop for quantizing. I have yet to use the sequencing aspect but it's icing on the cake. Lots of modulation options and assignable CV inputs, and assignable pots makes it very playable. And I actually do use it sequence my hardware synths, despite having a Cirklon as well. The Cirklon, honestly, isn't ideal for sequencing chords IMO. When I do use it I play in the chords in one take, and if I don't like it, I keep rerecording until I like it. Editing is cumbersome. A DAW is much easier. Otherwise the Sinfonion lets you sequence chords in a very different way. In my case at times not as intentional. I'll often sequence the root and modulate the voicing with a random source. Obviously you need a CV to MIDI converter. But it creates sequences I would not have thought of on my own. It's cheating to some degree, but helps me when I'm in a rut.dubonaire wrote: ↑Mon Oct 05, 2020 9:23 pmWell I can get quantized voltages out of a Cirklon and I have a uScale. No chord generators as such but the E370 can work that way. In euro I normally use the Shapeshifter for chords although more often than not I turn to my polysynths. I've been eyeing the Sinfonion for some time and underusing the Permutation. I have a relatively large modular with plenty of room to spare.
Here are a couple chord sequences: