Synton 3000 Modular
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- papz
- Super Deluxe Wiggler
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I serviced it, a look inside is priceless.that College unit must be near priceless due to rarity. Keep me on the bid list if you decide to sell.


Finest EMS gear service and Music Easel/208 goodies
I'm not a synths dealer and I'm not aware of an inexpensive Synthi secret market, please don't ask me if I know one for sale.
I don't offer support of any kind to people attempting to build clones of EMS equipment.
I'm not a synths dealer and I'm not aware of an inexpensive Synthi secret market, please don't ask me if I know one for sale.
I don't offer support of any kind to people attempting to build clones of EMS equipment.
- Reese P. Dubin
- Super Deluxe Wiggler
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- papz
- Super Deluxe Wiggler
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- Joined: Sat May 18, 2013 6:52 pm
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Really ?
Someone asked me yesterday if I could check and service a Fenix 2 and 3 system. I'll ask for some inside pics prior to accept the job.
Someone asked me yesterday if I could check and service a Fenix 2 and 3 system. I'll ask for some inside pics prior to accept the job.

Finest EMS gear service and Music Easel/208 goodies
I'm not a synths dealer and I'm not aware of an inexpensive Synthi secret market, please don't ask me if I know one for sale.
I don't offer support of any kind to people attempting to build clones of EMS equipment.
I'm not a synths dealer and I'm not aware of an inexpensive Synthi secret market, please don't ask me if I know one for sale.
I don't offer support of any kind to people attempting to build clones of EMS equipment.
Thanks!Bigbang wrote: Sounds very nice. Better then the Fenix. I was never fond of the sound of the Fenix [had nr. 001]. I liked the Syrinx very much.
I like all the Synth stuff tbh. Each different. The synth I use almost all the time now is the Fenix II. It's amazingly flexible and powerful. The Fenix I is much simpler but sounds different. Nastier!
But the 3000 is classic modular territory.
As for build quality people post about, it was affordable stuff in the day. Tools. Not meant to be high end, but it sounds better than most fancy stuff.
Thanks!Bigbang wrote: Sounds very nice. Better then the Fenix. I was never fond of the sound of the Fenix [had nr. 001]. I liked the Syrinx very much.
I like all the Synth stuff tbh. Each different. The synth I use almost all the time now is the Fenix II. It's amazingly flexible and powerful. The Fenix I is much simpler but sounds different. Nastier!
But the 3000 is classic modular territory.
As for build quality people post about, it was affordable stuff in the day. Tools. Not meant to be high end, but it sounds better than most fancy stuff.
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- Common Wiggler
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- Joined: Wed Apr 11, 2012 7:28 am
- Location: uk
They were all handmade. It's why the cult of expensive synths is absurd. These are electronics. Nothing more. There is no magic in any synth. Its components.thermisonic wrote: so sparse! and very homemade looking
What matters is the sound it makes and how the designer uses those components.
I think it sounds excellent.
[video][/video]
I think one of the features of the 3000 that is especially interesting is the keyboard itself, and not simply because of the extraordinary pitch bending plates. The keyboard features a "staccato" button that I believe removes some sort of limitation on the trigger to defeat bounce or something? I vaguely recall an explanation back in school, seems like a capacitor or something was used to prevent messy triggers An odd feature, maybe some other keyboards have it, I cant see any sign of it on the Syrinx
Once I got to playing with it, I discovered a sort of touch sensitivity probably related to the velocity of the key press, giving more time to the sputter when played sympathetically, sounds get spitty and the results are fairly controllable, an interesting feedback mechanism that elevates the results from the ordinary.
Sorry I dont have an example to share, but this aspect of the system is worth knowing about.
Once I got to playing with it, I discovered a sort of touch sensitivity probably related to the velocity of the key press, giving more time to the sputter when played sympathetically, sounds get spitty and the results are fairly controllable, an interesting feedback mechanism that elevates the results from the ordinary.
Sorry I dont have an example to share, but this aspect of the system is worth knowing about.
North American Modular/Boy Love Association