Instrument used in "Made of wood 3" compilation
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Instrument used in "Made of wood 3" compilation
Would it be possible to compile this in this thread:
I am very curious to know which instruments and tools were used for your tracks on the the Game of Life "Made of wood 3" compilation.
[bandcamp width=100% height=42 album=557452480 size=small bgcol=333333 linkcol=ffffff]
I'd very much appreciate to have all listed here, if possible.
Thanx in advance!
I am very curious to know which instruments and tools were used for your tracks on the the Game of Life "Made of wood 3" compilation.
[bandcamp width=100% height=42 album=557452480 size=small bgcol=333333 linkcol=ffffff]
I'd very much appreciate to have all listed here, if possible.
Thanx in advance!
Last edited by batchas on Sun Apr 02, 2017 1:57 am, edited 3 times in total.
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FS: KESAKO Player & Reverb for Serge and Buchla
FS: KESAKO Player & Reverb for Serge and Buchla
Artist: batchas
Title: excavation
Info: One take, direct, no cut
Instrument used: Plumbutter 1
Effects: Space Designer in Logic added afterwards
Title: excavation
Info: One take, direct, no cut
Instrument used: Plumbutter 1
Effects: Space Designer in Logic added afterwards
-----------------------------------
FS: KESAKO Player & Reverb for Serge and Buchla
FS: KESAKO Player & Reverb for Serge and Buchla
Artist: cadenian arts club
Title: quantum of strings
Info: One take, direct, no cut
Instrument used: Plumbutter 2 & Cocoquantus 2
Effects: Roland SRV-330 [Dimensional Space Reverb]
Title: quantum of strings
Info: One take, direct, no cut
Instrument used: Plumbutter 2 & Cocoquantus 2
Effects: Roland SRV-330 [Dimensional Space Reverb]
Last edited by ClausF on Sun Apr 02, 2017 9:40 am, edited 1 time in total.
- Infinity Curve
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- wednesdayayay
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Title: a fine
Info: I received about 100 tapes from a church that was updating their service recording technique and have been slowly filling them up with various projects. You can hear various bits from a service sewn throughout the "song". I cut together a short compilation for the end bit from the tape as well.
first bit is OP1 processed through plummy into coco
second is straight op1
third is op1 through plum into coco accompanied by VM driven plum oscillators heavy ultrasound given the crackling to death feel. I think the drums were on a coco loop this then goes into droney train tracks provided by VM controlled plumbutter oscillators and some FM'ing
fourth quick church interlude
fifth heavy plumbutter drone looped on coco pitch decreased then oringinal non looped version coming in over the top at end
sixth church interlude
seventh dirt stomping by way of coco looped input noise (touching cable) or maybe rolls into ultrasound
eighth plumbutter jam rollz sequenced VM with delay from the coco
nine back to dirt stomping saved on a coco loop with minimal VM sequenced avdog intrusion
tenth this last bit is the compilation cut I made form a service (for the voice part some audacity phaser was used) over top of several different things it starts with plumbutter playing along with an op1 loop through the coco
eleventh this flows into the op1 coco loop accompanied by an op1 bassdrum
twelfth this is another op1 (arp drum) but being processed through the plumbutters' gong inputs to give it that guitarish sound and then the next two switches are the same thing with different settings and some FM for laser sounds
Instrument used: plumbutter 2, cocoqantus 2, meng qi VM, op-1
Effects: Plumbutter 2, audacity phaser
Title: a fine
Info: I received about 100 tapes from a church that was updating their service recording technique and have been slowly filling them up with various projects. You can hear various bits from a service sewn throughout the "song". I cut together a short compilation for the end bit from the tape as well.
first bit is OP1 processed through plummy into coco
second is straight op1
third is op1 through plum into coco accompanied by VM driven plum oscillators heavy ultrasound given the crackling to death feel. I think the drums were on a coco loop this then goes into droney train tracks provided by VM controlled plumbutter oscillators and some FM'ing
fourth quick church interlude
fifth heavy plumbutter drone looped on coco pitch decreased then oringinal non looped version coming in over the top at end
sixth church interlude
seventh dirt stomping by way of coco looped input noise (touching cable) or maybe rolls into ultrasound
eighth plumbutter jam rollz sequenced VM with delay from the coco
nine back to dirt stomping saved on a coco loop with minimal VM sequenced avdog intrusion
tenth this last bit is the compilation cut I made form a service (for the voice part some audacity phaser was used) over top of several different things it starts with plumbutter playing along with an op1 loop through the coco
eleventh this flows into the op1 coco loop accompanied by an op1 bassdrum
twelfth this is another op1 (arp drum) but being processed through the plumbutters' gong inputs to give it that guitarish sound and then the next two switches are the same thing with different settings and some FM for laser sounds
Instrument used: plumbutter 2, cocoqantus 2, meng qi VM, op-1
Effects: Plumbutter 2, audacity phaser
sh is the sound of data
bobo is the gesture
PB
bobo is the gesture
PB
Artist Hainbach
Title Carpet Jungle
Info Recorded in a dusty appartment in Weimar, working away from the studio, one take.
Instrument used Cocoquantus 2, Sidrax, OP1, Olympus LS14 field recorder
Effects Maybe the Neunaber Slate, I can't remember if I had that with me.
Title Carpet Jungle
Info Recorded in a dusty appartment in Weimar, working away from the studio, one take.
Instrument used Cocoquantus 2, Sidrax, OP1, Olympus LS14 field recorder
Effects Maybe the Neunaber Slate, I can't remember if I had that with me.
Last edited by Hainbach on Mon Apr 03, 2017 12:57 am, edited 1 time in total.
Artist Dirch Blewn
Title the gasp of resonant body
Info everything was recorded using close miking of inside a zither, the instruments where played through the zither body using small bone conductors. Recorded PB, sidrax & phasi in seperate takes.
Instrument used PBv1, Sidrax, Phasi
Effects Just the acoustics of the space inside the zither and some string rattle from attaching the bone conductors to the strings.
The other track I did uses a similar setup with bone conductors attached to a toy koto & a cowbell. I reversed some of the atmospheric stuff.
I might stick both tracks up on soundcloud as I should have boosted the volume up, they've come out very quiet
Title the gasp of resonant body
Info everything was recorded using close miking of inside a zither, the instruments where played through the zither body using small bone conductors. Recorded PB, sidrax & phasi in seperate takes.
Instrument used PBv1, Sidrax, Phasi
Effects Just the acoustics of the space inside the zither and some string rattle from attaching the bone conductors to the strings.
The other track I did uses a similar setup with bone conductors attached to a toy koto & a cowbell. I reversed some of the atmospheric stuff.
I might stick both tracks up on soundcloud as I should have boosted the volume up, they've come out very quiet
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Artist: Fern Lodge
Title: Of a thousand sorrows
Info: Recorded in multiple takes then processed through tape and Coco using both inputs recording the same source but pitched differently to create all kinds of phases and cancelation...
Instrument used: Shnth, Tetrax, Plumbutter and Coco
Effects: All effects in Ableton including reverb EQ and frequency shifting
Title: Of a thousand sorrows
Info: Recorded in multiple takes then processed through tape and Coco using both inputs recording the same source but pitched differently to create all kinds of phases and cancelation...
Instrument used: Shnth, Tetrax, Plumbutter and Coco
Effects: All effects in Ableton including reverb EQ and frequency shifting
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Artist: prscrptn
Title: aprile & andante
Info: Multi-track recording via Cubase
Instruments used: Plumbutter 2, Cocoquantus 2, Octatrack
Effects: Flint, Space, Timeline, Timefactor
Title: aprile & andante
Info: Multi-track recording via Cubase
Instruments used: Plumbutter 2, Cocoquantus 2, Octatrack
Effects: Flint, Space, Timeline, Timefactor
Last edited by prscrptn on Mon Apr 03, 2017 3:00 pm, edited 1 time in total.
Artist: Yannick Dauby
Title: Terrestrial Snails
Info: Recorded on a Bronze Age tumulus in the Mediterranean Alps and in the southern hills of Taipei, Taiwan.
Instrument used: Shure MD413U, dry leaves, snail shells, stones, sticks, bumblebee, Sidrax, Cocoquantus2
Effects: some dynamic and reverb processing in Logic
Title: Terrestrial Snails
Info: Recorded on a Bronze Age tumulus in the Mediterranean Alps and in the southern hills of Taipei, Taiwan.
Instrument used: Shure MD413U, dry leaves, snail shells, stones, sticks, bumblebee, Sidrax, Cocoquantus2
Effects: some dynamic and reverb processing in Logic
plays with electronics, bats & frogs
http://www.kalerne.net
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Artist: Hoan Kiem Chess Team
Title: Finders Keepers
Info: 1 take live recording, no edits
Instrument used: Plumbutter Mk 1
Artist: Hoan Kiem Chess Team
Title: Keepers Finders
Info: 1 take live recording, no edits
Instrument used: Cocoquantus Mk2 and Sidrax
Title: Finders Keepers
Info: 1 take live recording, no edits
Instrument used: Plumbutter Mk 1
Artist: Hoan Kiem Chess Team
Title: Keepers Finders
Info: 1 take live recording, no edits
Instrument used: Cocoquantus Mk2 and Sidrax
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Artist: weinglas
Titles: winter part 1 and part 2
Info: one take, no edits
Instruments used: Sidrassi and Cocoquantus
Effects: Reverb and Delay
Titles: winter part 1 and part 2
Info: one take, no edits
Instruments used: Sidrassi and Cocoquantus
Effects: Reverb and Delay
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Artist: muncky
Title: oneREADYape
Info: One take, direct, no cut
Instrument used: Plumbutter 2
Effects: Strymon El Capistrano and EHX Cathedral
Title: oneREADYape
Info: One take, direct, no cut
Instrument used: Plumbutter 2
Effects: Strymon El Capistrano and EHX Cathedral
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