Post
by DGTom » Wed Oct 26, 2011 8:19 am
in a mediatized culture once a word / term is used in public it becomes real, even if its coined for the most cynical of reasons (like pitching a doco to PBS or curating a compilation CD for Virgin)
Electronica & Techno are problematic whereas House & Garage aren't (or are just "less problematic") the former being (arguably) the inventions of record label hacks & the latter emerging from within the scenes they would come to describe.
a key part to understanding why EDM (or club & rave shit, which is my preffered term) gets so murky is in understanding the way alot of music journalism is structured. Many, too many, people writing professionally about a sound will be deeply embedded in it. If this is a one way relationship (the writer is a fan) its not toooo bad (Simon Renyolds & Jungle) but I'm deeply sceptical that any human can be DJing / Producing / running a label & writing objectively about music (Martin Clarke & Dubstep)
There is a parallel here to war reporting & many of the criticisms hold in both arenas. Yes, you have to get close to the action to know what is really going on, but, getting SO close that you're economically and / or emotionally entangled leads to bad journalism which inevitably ends in bad history.
Sorry for the ramble - please, no one get me started on genre, geography & hip-hop - but in an attempt to answer at least one of the OPs questions;
there are no specific definitions, quite the contrary.
The explosion in genrefication came about because of the increasingly informal way in which music was (is) being consumed.
Clubs, Raves, pirate radio all result in people wandering into record stores (often still in altered states of mind) trying to hum/chant/gesticulate themselves into a purchase, so jargon plasticity was an advantage "got any of that dubby-tech-fluffcore-mash-up crunk-step mang?"
Now the hypertextual, #trending, likes landscape (soundscape? audiosphere? wankstain?) that virtual places like bandcamp & soundcloud inhabit encourage a kind of playfull, irreverent hyper plastic jargon which is not so much there to help navigate the terrain as it is a terrain of its own.
No reason to feel old, Lewis Carroll was goofing with words in much the same way as these 20 year old twitterers. Climb on board, it's a helluva toboggan ride!