||“Ready to cook” — what’s set up so you can just play&rec
| br>In software, people have templates. For those of you using your modular to compose and record (aka, finishing work, however you define that), what do you have set up so that you can spend more time being creative and less time setting up and taking down? More focused on musical decisions than technical ones?
I’m thinking of the “ready to cook” idea in kitchens—you have everything set up so you can just make the dish.
More on me if you want it:
For a project I’ll be starting in a couple weeks, I’ll be running a set of granular streams into the modular, using it for signal processing and sequencing, and then either recording individual tracks or mix downs (still deciding that part, which will probably come after some experimentation).
Happy to say more about what I want to accomplish, but I’m more interested in hearing your tips and tricks. br> br>
| br>Half a dozen desktop synths.
A few multi-effects pedals.
A multi-track recorder.
A powerstrip, and headphones.
Rock on. br> br>
| br>have no modular, just a little setup with a few synths, pedals, guitar, mixer and computer
Also try around there
Devices with line in are only connected with a patchbay in split mode.
Can record with or without a mixer, do not lose track so fast br> br>
| br>i set up a patch, use long cables into a 4 input mixer module, then when ready to record, i unplug from the mixer and plug into a digital 4 track br> br>
| br>Having a recording template with all audio tracks pre-created and routings set up is hugely helpful for me, nothing kills the flow like setting up inputs when jamming.
I have 3-4 leads running from the modular into a Soundcraft MTK with other inputs taken by other synths and an Ableton template with all of MTK's inputs and the 10 channels of the Digitakt via Overbridge routed to separate audio tracks and ready to go in a couple clicks. I can usually hook up to a stereo mixer in the modular and plug two more leads directly into the outputs of the modules I want to record separately.
MIDI-wise most of the time stuff is sequenced from the Digitakt through a Kenton thru box, all synths and the cv.ocd box I use for midi-to-cv are set up on different MIDI channels and are almost always hooked up so I just need to select a midi track and the corresponding midi channel to get a sound out of a synth.
A keyboard is hooked up to the Digitakt's midi in, it acts kind of like a midi router when I want to play a synth with the keyboard. br> br>
| br>I have a pretty basic or simple setup but it works for me so far.
I write everything in the Deluge, which now has a new feature that lets me record the structure when i "jam". So if i have a very nice loop going i can record the whole structure buildup with track mutes/unmutes, automation and other things in one go. And then simply go in and make edits afterwards, add sugar on top, and so on.
And for audio recording i have a simple setup where i either can do a stereo recording right into the computer, or multi-track 32 channels into ableton.
The routing is set, but i can easily rewire it at will with the routing system plus mixer in my Antelope interface. br> br>
| br>40ch desk with 32ch hooked with gear outputs to 2 patchbays (1 left, 1 right)
8 aux send to the patchbays + a third for 19" fx rack
24ch direct out into adat a/d converter with recording template in daw
> after setting all this up since years i recorded on all 24ch for the first time this evening >> going to expand to 32ch adat a/d in and 4ch a/d//d/a aes/spdif for overdubs and pseudo mastering soon
one master sequencer, other sequencing options
modular with various voices, nordrack, monomachine, prophet08, (dx100), (old piano-string synth)
two samplers, a few stompboxes, microphone
i can go in, put a loop together and record instantly a jam
or working on a composition for weeks, ruff mix and then record an arranged song in one or couple takes with each voice on it's track
it's an older mac with older converters with an old foh desk but it feels luxurious to me. no expensive synths or fx, soldering cables by my own. thus a few special modules are around and a precious sequencer. but this setup has evolved (and changes constantly) since about 6 years. almost no vacation, no city trips, very less outgoing and party-stuff and new clothes, shoes, etc... br> br>
|needto wrote: |
I have 3-4 leads running from the modular into a Soundcraft MTK with other inputs taken by other synths and an Ableton template with all of MTK's inputs ......
MTK with an Ableton template: fire up the Mac, plug a USB to the Mac and off I go.
I patch from scratch and have nothing permanently patched to the desk inputs - I view that as part of the composition/play process - starting from nowhere with as few preconceptions as possible. br> br>
| br>I don't have a template, because I like the different colour Ableton assign each track. It kind of dictate the mood, sort of (not really) but it is nice. Hence, no template.
Either way, I always have 1-6 mono inputs, 7/8 & 9/10 stereo (one is reverb, the other is from my turntables) and usually I have a MIDI synth for some sweet polyphony.
From there it is just to patch away. I have noticed that it usually sounds pretty boring the second day, so I try to have more of a idea to base the patch around. For example a polyrhythm or a chord that I like. Make it easier later on to add things. br> br>
| br>At the moment I have two basic set-ups, one in the attic and one in the study. The attic has my modular with outputs to a Tascam Portastudio tapething, hooked to monitors. This is for modular noodling and quick recording. The study has Hades, Erebus and a Digitakt, hooked to smaller speakers or headphones. There is a macbook and an interface if I want to record something, I basically use it as a glorified taperecorder (just press rec). Both rooms also have some guitars and effects scattered around.
Depending on my mood and other activities around the house, I go for one or the other set-up. There are some more synths and effects here and there, I can mix and match a bit. But I like small setups that are ready to go, so why not get several of those..
And when I lack inspiration, I just listen to what I previously made and either work it out, or delete it. br> br>
| br>Ypsi Kid
| br>Great question! I currently have my modular and other synths running into the Roland MX-1 mixer - sucks because it only has 4 1/4" inputs, so I have to sum some signals on a eurorack mixer and then pipe it into Ableton via the MX-1. So I don't get a channel per voice or per OSC/whatever, so have to think about what I want to put together and whether I can separate anything out for recording.
Right now I have the following:
Digitakt into the Modular Mixer, have 3 other channels on this eurorack mixer that I send OSC's into
Oberheim SEM into it's own channel on the MX-1 (channel 3)
Eurorack into channel 4 of the MX-1
TR-08 into the USB input on the MX-1 (input 15 I believe)
1010 Music BitBox (drums) going into channels 1 & 2 of the MX-1
This way, I can just hit record and jam out. I was having major timing issues between ableton and the modular, but an expert sleepers FH-2 solved the timing issues so the modular is not the clock master. Just need Eloquencer to include 24ppqn so I can begin to use swing, otherwise everything is working great right now! br> br>
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